Recommended Albums: November 2018

Sliding right in before YEAR END LIST time comes my favorite releases from November, a cute little crew that had a slight impact on my YEAR END LIST, with Rosalía, Earl Sweatshirt and Kelly Moran all making appearances in my Top 50. Oops! I revealed too much – hopefully you’ll see that full product soon. Hope you enjoy this selection until then.

Earl Sweatshirt – Some Rap Songs [Tan Cressida / Columbia]
A HAM radio enthusiast plays multiple distorted frequencies at once at high volumes while reclining in an old oversized recliner.

Ellis – The Fuzz [Self-Released]
A small creek, choked with dead leaves, gurgles as melted snow refills its currents.

Foxwarren – Foxwarren [Anti-]
Any effort to try and relax and focus on yourself gets upended by thoughts of impending doom and fluttering daydreams of unrequited / out of reach crushes.

Kelly Moran – Ultraviolet [Warp]
An ice castle is constantly destroying and rebuilding itself into different prismatic formations of varying complexity.

Meg Baird & Mary Lattimore – Ghost Forests [Three Lobed]
At the base of a snowy mountain range, a breeze blows through a field of flowers surrounding a picturesque house.

Oneohtrix Point Never – Love In The Time Of Lexapro [Warp]
An old computer in a remote Nebraskan farmhouse just received a spam email.

Rosalía – El mal querer [Sony]
A radiant sunbeam follows you like a spotlight, putting both your daily successes & failures on center stage for everyone to see, magnifying their impact to dramatic degrees.

The Samps – Breakfast [Gloriette Records]
Three broken CRT TVs are given life after being injected with copious amounts of Re-Animator slime and decide to make a rock band out of distorted toy commercials, b-movie musical rock songs, screw tapes, and early corporate hip hop.

Vince Staples – FM! [Def Jam]
A sensationalist news broadcast is interrupted by a fleet of cars with bass-boosted speaker systems and a bunch of kids playing loud summer games in the street.

GR8 SONGS OF NOVEMBER::

You can listen to these + more of my favorite songs of the year on my SPOTIFY PLAYLIST.

  • Earl Sweatshirt – “Azucar”
  • Earl Sweatshirt – “Nowhere2go”
  • Earl Sweatshirt – “Peanut”
  • Ellis – “Frostbite”
  • Eyedress – “Be A Better Friend”
  • Foxwarren – “Lost In A Dream”
  • Kelly Moran – “Water Music”
  • Oneohtrix Point Never – “Last Known Image Of A Song (Ryuichi Sakamoto Rework)”
  • Rosalía – “Di Mi Nombre (Cap.8: Éxtasis)”
  • Rosalía – “Reniego (Cap.5: Lamento)”
  • The Samps – “Recovery”
  • Sharon Van Etten – “Jupiter 4”
  • Vince Staples – “FUN!”
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Tatsuro Yamashita – “Mirai No Theme” [2018]

Haven’t posted a legit song in a while, but this **new** song from city pop icon Tatsuro Yamashita has been burning a hole in my brain for so many reasons. I unwittingly ran into it in the trailer for Mirai, the new anime film from Mamoru Hosoda (The Girl Who Leapt Through Time, Summer Wars, Wolf Children), AKA one of the most prominent filmmakers of the genre outside of Hayao Miyazaki and Makoto Shinkai.

I had been getting some pretty incessant instagram ads for the film, so I decided to finally watch the trailer. Seemed cute enough, but then I started paying attention to the theme music. Usually the themes and openings to anime films and TV shows aren’t my thing, but this one definitely grabbed me thanks to a familiar voice. Sure enough, the song was performed by Tatsuro Yamashita, one of the most recognizable voices and artists in the city pop realm. His album For You has some of the most memorable art in the genre, and his married status with j-pop queen Mariya Takeuchi gains him cred too.

What floors me the most about this song, aside from the fact that it’s a lovely, bright and bubbly piano pop ballad that soars high but has its feet planted firmly on the ground, is that this man Tatsuro has not missed a beat since his retroactively labeled hey-day. His voice sounds exactly the same, and this song would not feel out of place on one of his 80s albums; complete with a killer saxophone solo, chiming glockenspiel and charming overdubbed vocals & ad-libs. It’s incredibly easy to slip into this catatonic state of thinking that you’re enjoying something nostalgic and a piece of music from a better time while listening, but the contrary is true, at least for the latter. We are truly in hell times, but this magical creation has been bestowed upon us. In 2018! What have we done to deserve this?

Has he just been on his game for the past forty years and I haven’t given him the time of day yet? Is this a constant thing? Has he been making bangers for other animated works throughout the years? Is he a go-to guy in that field? Or has the anime studio that likely commissioned Yamashita caught on to the fact that city pop is THE THING right now? Did they call upon one of the deities of the genre himself to conjure up another bonafide city pop slapper, both as a nod to fans, but also to get saps like me to buy a ticket to a limited screening here in NYC to see the song in the film on the big screen? Honestly, it’s all up in the air at this point. Too many facts pointing in different directions. What we do have right now on the ground, though, is an incredible gift to any and all city pop fans in the year 2018. The artists are still out there churning out heat – it’s just a matter of how and when it will get to you. And yes, I bought a ticket to see the movie in theaters for this upcoming Saturday. That is for sure a thing.

In the mean time, do yourself a favor and listen to Yamashita’s 1982 album For You below. It’s been in my regular rotation for the better part of two years now, so you know it’s good.

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Recommended Albums: October 2018

The theme of this month’s Recommended Albums post is “One Of These Things Is Not Like The Other”. You’ll find that the predominant mood or sound in this collection of ten albums is dreamy, pensive and euphoric. The one glaring omission is Daughters’ You Won’t Get Want You Want, a poison-dripping, splintering record that will leave your head pounding with agony (in a good way). There are definitely some HUGE albums in this crop here and I’m happy how the month went. Really looking forward to everyone seeing my favorites of the year already!

Adrianne Lenker abysskiss [Saddle Creek]
A baby gradually gains cognitive function and starts to recognize its parents and stimuli surrounding it, like the smells of the kitchen to the color of the changing leaves outside.

boygenius – boygenius EP [Matador]
Going home for Thanksgiving to confront and repair years-old trauma and wafting embarrassment with assorted parties in your small town.

Cat Power – Wanderer [Domino]
A wizened traveler regales a forgotten desert bar crowd with tales from the eternal road.

Daughters – You Won’t Get What You Want [Ipecac]
Being trapped in a haunted house for 12 hours with intensely vengeful spirits, intent on constantly torturing you to the edge of consciousness until morning.

Domenique Dumont – Miniatures de auto rhythm [Antinote]
Being granted the ability to shrink, you evade responsibilities and create a wondrous paradise out of mundane objects now turned fantastical by your drastic size difference.

Julia Holter – Aviary [Domino]
A hidden passageway to an ancient wonderland opens up in the botanical gardens if you take care of your plants at home like you would a loved one.

Miya Folick – Premonitions [Interscope / Terrible]
A soundtrack for using other people’s soaps and conditioners at an absurdly fancy airbnb.

Robyn – Honey [Island]
Shooting personal audio messages into deep space to hopefully land human contact with a long-lost friend.

Yowler – Black Dog In My Path [Double Double Whammy]
Picking up musings of a wandering spirit on a remote radio frequency in the mountains.

1010 Benja SL – Two Houses [Young Turks]
One motivated youth trains flocks of birds to spread the message of rebellion across the city through distinct flight patterns during the changing of the morning guard.

–> Also want to give a shout out to Young Jesus – The Whole Thing Is Just There [Saddle Creek], which I discovered after writing all ten of these little blurbs and there’s no way I’m deleting any of them. This thing is good!! And ya I picked the 20-minute track as my favorite.

SINGLE SPOTLIGHT::

Jessica Pratt – “This Time Around”
In a moment of serious, gobsmacked musical admiration without a hint of irony (something that doesn’t happen often on this site), I have to highlight Jessica Pratt’s “This Time Around”, the first single from her upcoming album, Quiet Signs (out February 8th via Mexican Summer). Since its release, Pratt’s 2015 record On Your Own Love Again has been continuously creeping higher and higher into the upper echelons of my favorite records of the decade. Its sour, fuzzy, psychedelic-without-doing-too-much approach to folk music has continued to sprout new flowering growths of personal admiration, where some records in the same vein have wilted as time passed.

This formula of almighty not-doing-too-much is being used on this new song as well, as the song is purely a repetitive, ultra-simple guitar line, polite blushes of mellotron, and Pratt’s otherworldly, spindly voice, drenched in a good amount of reverb with occasional overdubs. The meditative, trance-like nature of the guitar pattern is easy to get locked into, which allows Pratt to twirl around the listener with smoky wisps of voice, at points passing through unnoticed, but at others conducting an intricate performance of web-spinning. Pretty remarkable that this song is so simple, yet I find new folds over multiple listens. Much like the Mountain Man record from this year, sometimes we just need moments of quiet introspection to right our heads. That’s definitely what’s happening here with me. Right now Quiet Signs is sitting high as my most-anticipated album of 2019.

GR8 SONGS OF OCTOBER::

Listen to all these songs and more on my Best of 2018 Playlist!

  • Adrianne Lenker – “symbol”
  • Beach House – “Alien”
  • boygenius – “Souvenir”
  • Cat Power – “Woman”
  • Clarence Clarity – “Naysayer, Magick Obeyer”
  • Connan Mockasin – “Les Be Honest”
  • Daughters – “Guest House”
  • Daughters – “Long Road, No Turns”
  • Daughters – “Satan In The Wait”
  • Empress Of – “Trust Me Baby”
  • Farao – “Truthsayer”
  • Fucked Up – “House Of Keys”
  • Graham Van Pelt – “Vanishing Point”
  • Harrison – “Atmosphere (feat. Daniela Andrade)”
  • Jamila Woods – “Giovanni”
  • Jerry Paper – “Baby”
  • Joji – “SLOW DANCING IN THE DARK”
  • Julia Holter – “Another Dream”
  • Julia Holter – “Words I Heard”
  • Kero Kero Bonito – “Flyway”
  • Kikagaku Moyo – “Gatherings”
  • Marie Davidson – “Work It”
  • Miya Folick – “Stop Talking”
  • Mr Twin Sister – “Alien FM”
  • Robyn – “Human Being”
  • The Samps – “Hit N Run”
  • Sam Wilkes – “Hug”
  • Sharon Van Etten – “Comeback Kid”
  • Sheck Wes – “Gmail”
  • Swearin’ – “Untitled (LA)”
  • Thundercat & BADBADNOTGOOD – “King Of The Hill”
  • Young Jesus – “Gulf”
  • Yowler – “WTFK”
  • 1010 Benja SL – “Tragic X”
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Nick Cave & The Bad Seeds – “Jubilee Street (Live In Copenhagen)” [2018]

On October 26, 2018, I saw Nick Cave & The Bad Seeds perform at Barclays Center in Brooklyn. It was one of the best shows I’ve seen all year. I’m not even a massive fan of Nick Cave. I’m pretty familiar with Skeleton Tree and Let Love In, but it’s kind of fringe from there on out. Regardless of my inexperience with his full catalog, I was fully dazzled, playing the songs I did know (bless the hits), along with Push The Sky Away stand out “Jubilee Street”.

At this moment in the show is when I decided, “wow – I’m really here for something extraordinary”. Just watch the video above and witness the grand build up and euphoric pay off at the end. Talk about energy, talk about showmanship, talk about brilliance. Luckily, Nick Cave recently released an EP of live cuts from a recent show in Copenhagen, which the video above is from as well. I’ve been listening to it nonstop, telling everyone about it.

Now I’m telling you, dear reader. Even if you’re completely unfamiliar with Cave’s work, I think you’ll probably enjoy this song.

 

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The 100 Best Albums Of The 2000s (2018 Version)

With the end of the 10s rapidly approaching and with it, an inevitable decade-recapping list, I felt a deep inspiration to look back at my previous effort to summarize a decade’s musical output. I made a list of The 100 Best Albums of the 2000s back in high school. In the year 2000, I was but a fresh 8 years old, listening to the Indigo Girls, smooth jazz and Enya my parents played in the house. Not an ideal way to keep track of releases.

Eventually I came around to classic rock and then dived into the dungeon of indie rock, thanks to discovering sites like Pitchfork, Stereogum and other music blogs. I had a lot of catching up to do in listening to albums that were released pre-2007 while making the list in 2010, but I’d say that it was a pretty decent mirror to my personal tastes at the time, with a few minor exceptions. Looking back on it now, there are a few albums in there I don’t remember ever listening to, along with a few things ranked suspiciously high.

As a fun little project that took far too much of my time, I recreated the list to accommodate all the records from the 00s I’ve listened to since I published the original list. This process served as an ample distraction while my life hurtles at an uncomfortable speed toward “adulthood”. The end product is a winning Warm Visions bingo card: my useless knack for list-making, navel-gazing circle-jerkery, music that no one on the planet would consider unique or interesting in 2018 and beyond, and being approximately 8 years irrelevant are all present. Enjoy!

* indicates a record newly added to the list.

100. HEALTHGet Color *
99. StudioWest Coast *
98. The Postal ServiceGive Up
97. ColleenEveryone Alive Wants Answers *
96. Kanye WestLate Registration
95. The ThermalsThe Body, The Blood, The Machine
94. The Tough AllianceA New Chance
93. Lightning BoltWonderful Rainbow
92. BeckThe Information *
91. Mount Eerie, Julie Doiron & Fred SquireLost Wisdom *
90. Arcade FireNeon Bible
89. The UnicornsWho Will Cut Our Hair When We’re Gone?
88. The KillersHot Fuss
87. Life Without BuildingsAny Other City *
86. m83Dead Cities, Red Seas & Lost Ghosts
85. Sweet TripVelocity : Design : Comfort *
84. SmogDongs Of Sevotion *
83. Yeah Yeah YeahsFever To Tell
82. BorisPink *
81. WilcoYankee Hotel Foxtrot
80. The Flaming LipsYoshimi Battles The Pink Robots
79. BeckModern Guilt
78. A Place To Bury StrangersA Place To Bury Strangers *
77. OutkastStankonia
76. Jens LekmanNight Falls Over Kortedala
75. The BooksThought For Food *
74. Sun ArawBeach Head *
73. Animal CollectiveFeels *
72. PortisheadThird
71. Death Cab For CutieTransatlanticism
70. Grizzly BearYellow House
69. Ghostface KillahSupreme Clientele *
68. Animal CollectiveSung Tongs *
67. Sonic YouthRather Ripped *
66. Mount EerieWind’s Poem *
65. The New PornographersMass Romantic
64. Fleet FoxesFleet Foxes
63. Have A Nice LifeDeathconsciousness *
62. MidlakeThe Trials Of Van Occupanther *
61. Fucked UpThe Chemistry Of Common Life *
60. Sleater-KinneyOne Beat *
59. Stars Of The LidThe Tired Sounds Of Stars Of The Lid *
58. Arcade FireFuneral
57. Sufjan StevensMichigan
56. MF DoomMM.. Food? *
55. Sam AmidonAll Is Well *
54. Songs: OhiaMagnolia Electric Co. *
53. Flying LotusLos Angeles *
52. BroadcastHaha Sound *
51. Sonic YouthMurray Street *

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Boris – “Just Abandoned Myself” [2005]

Looking for a good wash of noise to cleanse yourself in? Boris’ 2005 album Pink, their best in my humble opinion, has a closer that will do it for you in spades. This 18-minute assault starts fast and then combusts into a raging, eternal flame of noise. Echoing for at least ten minutes is a spiteful shade, warming those who grant it access into their life.

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Mountain Man – Magic Ship [2018]

One record I neglected to add to the Recommended Albums of September post from earlier this month was Mountain Man’s Magic Ship, their first record in over eight years. The trio of singers (Amelia Meath, Alexandra Sauser-Monnig & Molly Erin Sarlé) specialize in a blend of old time American & Appalachian vocal folk, the kind you might find in a Folkways compilation, and more modern songwriting tendencies. The split is about 50/50 between straight acapella + triple stack vocal harmony and one lead voice with backing vocals and instrumentation.

Most importantly for a vocal-based record, the three voices here mesh so seamlessly, yet have the ability stand out amongst themselves. The songs without any additional instrumentation hold their own amongst the more immediately approachable cuts, something that is not characteristic of recent trends in music at large. Usually the depth of the production behind the vocals and studio tricks are what pulls people in and shocks listeners, but in this case, the perfect harmony, evocative melody and simplicity of the lyrics keeps listeners easily entranced.

The song that jumped out to me on my first listen was “Moon”, a song that the group has been performing live since their first album Made The Harbor. It’s not the simplest song on the record (it features a great, shimmering guitar), but has one of the best melody + harmony combinations on the record and pulls yearnings for fall temperatures and cozy warmth out of my subconscious. There’s no one lead vocalist, rather all three combine together to tackle the melody, a rather complex and bounding one at that. All four voices (guitar included) cascade and shine throughout, achieving whatever cognitive affect is the opposite of whatever the olden folk thought was the “devil’s interval”. Just sublime euphoria.

I recently got the chance to see the group perform a few songs at a record store here in NYC, an event that was healthily attended by longtime fans. I’ve been to a few of this record store’s in-store shows and this was the best-attended by a long shot. The trio was charming, humble and hearing their voices work in tandem live was a very special treat to be a part of. After a humorous anecdote, Sarle said “alright get them laughs out – here comes a sad one” and played another personal album highlight, “Slow Wake Up Sunday Morning”. Like “Moon”, this one features a delicate guitar and lead vocals that ebb and flow like sunlight pouring through a window on a slightly cloudy day. It’s an achingly beautiful song, albeit a sad one.

The last song I’d like to focus on is one that hit me only recently and is coincidentally the last on the album. “Guilt” is a quick, stripped back closer with Meath in the lead spot singing about the feeling of stewing over mistakes and accepting your own flaws. It came on unexpectedly when I was in my office alone and I kind of broke down while listening to it. Not even a minute long, it tapped into however I was feeling that day with ease: “You can think about it / and be mean to your insides / and forget that you were 10 or 12 or even 25” is the lyric that really cut into me. On the surface, looking-past-lyrics level, it’s another old time folk tune melody and structure, but lyrically is embracing a very important mentality that more folks my age and younger should embody more often. It’s a perfect end to an album that prides itself on quiet vitality, finding power in harmony around us.

If you’re a fan of folk music, beautiful harmonies and an effortless sense of family and togetherness in music I haven’t heard on record since maybe Whitney’s debut in 2016, I implore you to check out Magic Ship along with Mountain Man’s 2010 debut Made The Harbor. If you’re like me, someone who just deleted most of their social media presence due to an overwhelming darkness pervading their life at all times because of it, this record hit the spot.

Connect With Mountain Man:
Buy Magic Ship | Bandcamp | Instagram | Twitter

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Recommended Albums: September 2018

Ava Luna – Moon 2 [Western Vinyl]
Putting an impossibly complicated formula into a graphing calculator, exploding the screen and watching numbers big and small fly across the room and form new shapes in the air.

Christine & The Queens – Chris [Because Music]
Ultimate naked lip-syncing post-shower in a foggy mirror moment compilation.

Dilly Dally – Heaven [Partisan]
Inserting metal wires down your arms and legs, standing underneath a powerful magnet, ripping all of your skin off, then living your life as a skinless husk.

Emma Ruth Rundle – On Dark Horses [Sargent House]
An old abandoned farm house has black smoke billowing out of every cupboard, drain pipe, light fixture, crack in the floorboard and dusty appliance.

The Field – Infinite Moment [Kompakt]
Climbing a glacier and tapping into memories of its centuries-long, earth-carving journey.

Guerilla Toss – Twisted Crystal [DFA]
Strapping on a VR headset and putting a virus in your homeroom teacher’s computer allows you to avoid doing your homework for another night, but also causes your classmates to mutate into disfigured, flesh-eating cartoon characters.

Lonnie Holley – MITH [Jagjaguwar]
A breeze blows through the vast amount of forgotten corners and communities in the United States and out comes a low, rumbling, waveringly harmonious whistle.

North Americans – Going Steady [Driftless Recordings]
Jumping into a pile of leaves and staying there for an entire day.

Oliver Coates – Shelley’s on Zenn-La [RVNG]
Sitting in a video lab, you watch as 150 different alternate universes’ versions of yourself go about an average day and compare and contrast the results, overlaying each universe on top of one another to see how the paths eventually diverge and reconnect.

Yves Tumor – Safe In The Hands Of Love [Warp]
Reading a specific passage of a cursed book found in a damp alleyway causes auditory & visual hallucinations and an intense desire to build monuments to an unknown deity.

GR8 SONGS OF SEPTEMBER::

Best Of 2018 Spotify Playlist

  • Adrianne Lenker – “symbol”
  • Ava Luna – “Set It Off”
  • Christine & The Queens – “Comme si”
  • Christine & The Queens – “Goya Soda”
  • Dilly Dally – “Doom”
  • Emma Ruth Rundle – “Darkhorse”
  • Empress Of – “Love For Me”
  • The Field – “Divide Now”
  • Foodman – “Clock (feat. Machina)”
  • Guerilla Toss – “Jesus Rabbit”
  • Joji – “Slow Dancing In The Dark”
  • Julia Holter – “I Shall Love 2”
  • Kelly Moran – “Helix (edit)”
  • Lil Uzi Vert – “New Patek”
  • Lonnie Holley – “How Far Is Spaced-Out?”
  • Low – “Tempest”
  • Marie Davidson – “Work It”
  • Marissa Nadler – “I Don’t Listen To Gene Clark Anymore”
  • Mountain Man – “Moon”
  • North Americans – “Grayling”
  • Oliver Coates – “A Church”
  • The Spirit Of The Beehive – “Fell Asleep With A Vision”
  • Tim Hecker – “In mother earth phase”
  • Yaeji – “One More”
  • Yumi Zouma – “Crush (It’s Late, Just Stay)”
  • Yves Tumor – “Honesty”
  • Yves Tumor – “Lifetime”
  • Yves Tumor – “Recognizing The Enemy”
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The 100 Best Albums Of The 00s (re-post)

funeral

Originally posted Feb. 13, 2011.

Editor’s Note: This list was condensed into one post (it was originally 5 different posts leading up to #20 – #1 – how annoying!) and reformatted a bit on 9/20/2018. I’m thinking about revisiting this list, paring it down, and reflecting upon how my tastes have changed over seven years. For now, read what my high school self had to say about the albums of the 00s. He makes a good point that since I was 8 in 2000, I don’t have a complete grasp on the breadth of music that arrived in the decade, but rather the stray records I did happen to listen to that weren’t classic rock and anything Pitchfork said was good. Looking back on it now is entertaining to say the least, especially when I see all the records in the #100-#50 zone that I have no recollection of listening to.

Enjoy reading the original musings of a 17 year old on indie rock’s favorite albums.

— — — — — —

Happy (Late) Birthday, Warm Visions! You’re now one year old! Hooray!

To commemorate this fine occasion, I have compiled a Best of the 00’s list.

To be fair, this list can be late to the party. Considering I was 8 in 2000, I don’t think I had time to process all the music had come out since then. Now that I am older and have more time to validly waste, I can make lists like these. So I’ll be posting lists of 20 throughout this week, starting today! This will be nostalgia from 2009! How fun!

100. LambchopNixon
99. Jens LekmanNight Falls Over Kortedala
98. InterpolTurn Out the Bright Lights
97. Jay-ZThe Blueprint
96. MGMTOracular Spectacular
95. PortisheadThird
94. The New PornographersMass Romantic
93. SpoonGimme Fiction
92. Rogue WaveAsleep at Heaven’s Gate
91. BeirutThe Flying Club Cup
90. Bright EyesI’m Wide Awake, It’s Morning
89. TV on the RadioReturn to Cookie Mountain
88. Ryan AdamsHeartbreaker
87. The ThermalsThe Body, The Blood, The Machine
86. Kanye WestGraduation
85. The UnicornsWho Will Cut Our Hair When We’re Gone?
84. Franz FerdinandFranz Ferdinand
83. Okkervil RiverThe Stage Names
82. TV on the Radio Dear Science
81. Bloc PartySilent Alarm
80. Explosions In The SkyThe Earth Is Not A Cold, Dead Place
79. The MicrophonesThe Glow Pt. 2
78. Gnarls BarkleySt. Elsewhere
77. Art BrutBang Bang Rock & Roll
76. Grizzly BearYellow House
75. Sigur RosTakk…
74. of MontrealHissing Fauna, Are You The Destroyer?
73. BeckModern Guilt
72. Jason MrazWaiting For My Rocket To Come
71. MadvillainMadvillainy
70. The Postal ServiceGive Up
69. ColdplayA Rush Of Blood To The Head
68. Lightning BoltWonderful Rainbow
67. MuseAbsolution
66. Broken Social SceneYou Forgot It In People
65. Arctic MonkeysWhatever People Say I Am, That’s What I’m Not
64. The White StripesElephant
63. Flotation Toy WarningBluffer’s Guide To The Flight Deck
62. CSSCansei de Ser Sexy
61. BeckGuero
60. Alison Krauss & Robert PlantRaising Sand
59. My Morning JacketZ
58. M83Saturdays = Youth
57. Hot ChipThe Warning
56. Yeah Yeah YeahsFever To Tell
55. MIAKala
54. The StreetsA Grand Don’t Come For Free
53. The DecemberistsThe Crane Wife
52. My Dear DiscoDancethink LP
51. RadioheadIn Rainbows
50. Kanye WestLate Registration
49. Camera ObscuraLet’s Get Out Of This Country
48. DeerhunterMicrocastle
47. The Flaming LipsEmbryonic
46. The Tough Alliance A New Chance
45. LCD SoundsystemLCD Soundsystem
44. GorillazGorillaz
43. Animal CollectiveStrawberry Jam
42. …And You Will Know Us By The Trail Of DeadSource Tags
41. Sufjan StevensMichigan
40. M83Dead Cities, Red Seas And Lost Ghosts
39. Panda BearPerson Pitch
38. YeasayerAll Hour Cymbals
37. MuseOrigin Of Symmetry
36. Dirty ProjectorsBitte Orca
35. OutkastSpeakerboxxx / The Love Below
34. Daft PunkDiscovery
33. The Mars VoltaDeloused In The Comatorium
32. Death Cab For CutieTransatlanticism
31. Arcade FireNeon Bible
30. The StrokesRoom On Fire
29. Sigur RosAgaetis Byrjun
28. Bon IverFor Emma, Forever Ago
27. OutkastStankonia
26. Fleet FoxesFleet Foxes
25. White StripesWhite Blood Cells
24. Godspeed You! Black EmperorLift Your Skinny Fists Like Antennas To Heaven
23. BjörkVespertine
22. Vampire WeekendVampire Weekend
21. Modest MouseThe Moon & Antarctica

Hit the jump for #20 – #1 + little album descriptions.

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Recommended Albums: August 2018

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August, like July, was a month that found me in a state of stasis. I improved on the zero-concert total of July by going to three in August. I went on vacation with family and took everything super slow and easy, as summer was winding down. Music-listening wise, I was enraptured by the releases of the month, especially Mitski and Tirzah, both incredibly anticipated albums for me this year. After those two huge pillars of my listening, I had to search around for other great records of the month. I trusted in the greatness of Saintseneca with their new album Pillar Of Na, IDLES won me over for life with their unbelievable live antics, and the star-power behind Roy Montgomery’s album Suffuse (featuring Grouper, Circuit des Yeux, Julianna Barwick + more) was a no-brainer. I was so happy to find Steady Holiday and The Beths, both albums I’ve been enjoying more at the time of writing (September) than in the month they were released. Wish there was more from this month that grabbed and shook me, but I’m sure I’ll find more down the line. I’m only one guy, after all!

The Beths – Future Me Hates Me [Carpark]
The satisfying feeling of watching your close friends and family react negatively and shamefully after you say something really self-deprecating but actually very funny.

IDLES – Joy As An Act Of Resistance. [Partisan]
A best friend duo of hulking, golem-like behemoths tend to the university’s garden and pummel racists and fascists on campus into garbage cans.

Mitski – Be The Cowboy [Dead Oceans]
Taking the moments from your past that hit you with waves of hotly embarrassing nostalgic memories when you lay in bed at night and recreating them as high-budget feature films with you playing every role.

Roy Montgomery – Suffuse [Ba Da Bing]
A series of arcane rituals to summon a great one are performed in a remote cornfield, shaking the sky and loosening the earth’s crust below.

Saintseneca – Pillar Of Na [Anti-]
A freak snowstorm in the dead of summer causes mass hysteria across the world, both causing an early start for those seeking the comfort of winter, as well as birthing a new cultish religion based around a supposed snow god.

Steady Holiday – Nobody’s Watching [Barsuk]
A sacred trickster bends time and space to plant pranks throughout the universe.

Tirzah – Devotion [Domino]
Drifting between lucid dream states and bleary, active consciousness while riding out snooze alarms in the early morning.

 

GR8 SONGS OF AUGUST::

  • The Beths – “Future Me Hates Me”
  • The Beths – “Little Death”
  • Empress Of – “When I’m With Him”
  • Fucked Up – “Normal People”
  • IDLES – “Never Fight A Man With A Perm”
  • Jerry Paper – “Grey Area (feat. Weyes Blood)”
  • Marissa Nadler – “Blue Vapor”
  • Mitski – “Blue Light”
  • Mitski – “A Pearl”
  • Mitski – “Remember My Name”
  • Mr Twin Sister – “Power Of Two”
  • Robyn – “Missing U”
  • Roy Montgomery – “Apparition (feat. Haley Fohr)”
  • Saintseneca – “Ladder To The Sun”
  • Saintseneca – “Timshel”
  • Steady Holiday – “Nobody’s Watching”
  • Tirzah – “Basic Need”
  • Tirzah – “Holding On”
  • Travis Scott – “SICKO MODE”
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