Listen: Marissa Nadler – “If I Could Breathe Underwater” [2021]

There are too many great albums on the horizon for Q4 2021. One of which is Marissa Nadler’s next one, The Path of the Clouds, coming October 29th via Sacred Bones. I don’t want to pigeonhole it too much, but just based on the singles it seems to be perfectly timed to line up with the historically haunted times of late October / early November. The time when the world really starts to slow down – even as technology has progressed to where it is now, we still instinctively begin to commence hibernation rituals as early sunsets burn up slate skies, accented by bald branches and the vibrating haze of newly-ignited car heaters. As someone who greatly romanticizes the fall, I deeply support the desolate and dreamy music that feels at home in this specific nook of the year.

Right then, but onto the music we have here – “If I Could Breathe Underwater” is a drop-dead gorgeous tune with a dreamy blues edge, with slow, smearing guitars and steady, minimal percussion paint watercolor backdrop for Nadler’s vocals to wander through. Little accents like flecks of twinkling harp via Mary Lattimore, hammond organ and Western-style electric guitar all enhance the atmosphere of the track greatly, moving me to feel like it’s my favorite thing I’ve heard Nadler do since 2014 or so.

With the insane stacked guest musician line-up behind her (the aforementioned Mary Lattimore, along with Cocteau Twins’ Simon Raymonde, Emma Ruth Rundle, Black Mountain + more) Nadler seems to be stepping to a higher gear on this new album and I cannot wait. Like I said before, her 2014 album July was a favorite of mine that year and I’ve been waiting to be wowed like I was back then. It seems like I will be – and so should you! Support this dang album! Marissa is a great songwriter!

The Path of the Clouds is out October 29 via Sacred Bones. Pre-order the album HERE.

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Listen: Dummy – “Final Weapon” [2021]

An album that’s already being mighty hyped going into the fourth quarter of 2021 (what the hell, how are we here already) is Dummy’s upcoming debut LP, Mandatory Enjoyment, out October 22nd via Trouble In Mind. They caused a little noise last year, dropping a few EPs, but the two singles they’ve put out from this LP is sending some red alerts in the “good music” zone of the world.

The songs are explosive yet maintain an element of robotic restraint, all layered with several gauzy sheets of psychedelic sweetness. The balance of dancey electronics mixed with bright, almost shoegaze-like rock instrumentation is a fine one – a lot of bands can’t get the mixture right and Dummy nails it. They remind me of a few different bands, all of whom I like. It also sounds like it would be a blast to see live. All fantastic signs of good things to come. Don’t be a Dummy – don’t sleep on this freakin’ band! I’m sorry.

Mandatory Enjoyment is out October 22 via Trouble In Mind. Pre-order it HERE.

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Listen: Foamboy – “Logout” [2021]

Portland, OR duo Foamboy (fka Chromatic Colors) are releasing their debut LP My Sober Daydream on October 1st. I was recently tipped off to one of their earlier pre-album singles “Peach Smoothie”, which bumps with disco glee which I instantly fell in love with. This new track “Logout” follows in the same footsteps, with a buoyant bass line, skittering percussion and twinkling keys, while singer Katy Ohsiek muses about technology dependence and being stuck inside on our phones & computers, flexing a vocal range and agility that reminds me of Caroline Polachek. Those who swoon for bands like Ava Luna, Mr Twin Sister, Brijean and other jazz-dipped dance pop should absolutely add My Sober Daydream to their release calendar. It’s a special record that I think should turn some heads in the world.

My Sober Daydream is out October 1st – pre-order it HERE.

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Listen: Lionlimb – “Nothing” [2021]

I’ve been tapped into Stewart Bronaugh’s project Lionlimb since his first single “Turnstile” wowed me in 2015. Granted I was promoting it to noncommercial radio at the time, but still. I was familiar with his work in the Angel Olsen band as well, and definitely had my eyes on him from the get. After being disappointed by his 2018 album Tape Recorder, I am STOKED about this upcoming LP Spiral Groove, coming October 12th via Bayonet Records, just based off this early single “Nothing”. It’s got some great songwriting elements and production choices behind it, with flourishes of chiming piano, dueling guitar melody lines, Primal Scream-like percussion (with shaker – of course!), a catchy chorus, and more. All the great things that hooked me into Lionlimb’s work at the start. It’s a no-brainer for me.

Spiral Groove is out October 12 via Bayonet. Pre-order HERE.

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Listen: Eve Owen – “Nothing Beautiful” (from Keeled Scales x Nuçi’s Space Benefit Comp) [2021]

The sweet people over at Keeled Scales (which is holding a fair lead in the 2021 Label of the Year race) are putting together a great benefit compilation with Nuçi’s Space to celebrate the Athens organization’s 21st anniversary. The comp will not only feature songs from Keeled Scales artists like Katy Kirby, Lunar Vacation and Buck Meek, but foundational Athens artists R.E.M. & Pylon (!), and other of-the-moment independent names like Cassandra Jenkins, Fontaines D.C., Flock of Dimes, Sylvan Esso and more.

Nuçi’s Space, to quote the bio of the compilation: “is a nonprofit organization in Athens, GA, whose mission is to prevent suicide. Nuçi’s Space operates a musician and mental health resource center which provides low-cost practice space, gear rentals, etc., and offers subsidized mental and physical health care for musicians and artists in the Athens area.” After 18 months of pandemic, along with a rapidly declining music industry that feels like it strings along musicians to their wit’s ends more rapidly than ever, organizations like Nuçi’s Space are absolutely vital. Happy to be supporting their cause with a donation that also happens to net me 30 songs from a bunch of artists I enjoy and admire.

There are three songs available to preview now from Buck Meek, Ganser and the one I’m featuring here by Eve Owen, an aching acoustic dream with throbbing electric guitar and distant percussion rumbling in the wings. If you like the gently brushed folk that Keeled Scales has been putting out over the last few years, you’d no doubt enjoy this track.

The Nuçi’s Space 21st Anniversary Benefit Compilation is only going to be available on Bandcamp from October 1st through December 31st, so pre-order now and don’t miss your chance, in case a boulder lands on your computer modem or something in the mean time. You can pre-order HERE.

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Listen: Laura Stevenson – “Don’t Think About Me” [2021]

Laura Stevenson has quietly been putting out some of the best rock records year after year and not enough people are paying attention. This is me doing my part, aside from featuring her newest, self-titled album in Recommended Albums of August 2021. Album highlight “Don’t Think About Me” has been stuck in my head for the better part of a week, seamlessly tapping into the liquid memory/nostalgia banks of my childhood, hearing alt rock & pop songs from moody singer/songwriters on the radio in the 90s. Feeling the dry heat from the car vents and the carpeted seats and my boots still soaked from snow. Alongside pulling on my nostalgia strings, the song and album itself is one of the better rock records of the year – don’t let it slip through your fingers. And while you’re at it, check out Stevenson’s last few records too. You won’t regret it.

Laura Stevenson is available now via Don Giovanni Records – buy it HERE.  

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10 Best Songs: U.S. Girls

One of my favorite bands (and also specifically – LIVE bands) over the last six years, U.S. Girls has carved a niche all of their own, full of bravely experimental and confrontational disco and funk, tackling themes of domestic abuse, relationship balances, social injustice & inequalities, the traps of modern femininity and masculinity, among many other things. Bandleader + head songwriter Meg Remy started the project on her own, and has since expanded (at least the live & studio bands) into sprawling, seven-to-nine piece ensembles that pack a stage and lock in completely, sometimes stopping to allow space for pre-recorded poetry while the band stands staring at the audience, motionless. It’s a whole production. One worthy of your attention.

Their music is disorienting though, because most of the time the lyrics deal with absolutely harrowing scenarios. The music occasionally reflects this (more on 2015 album Heavy Light) with paranoid guitars and ominous synths & sound effects. But on In A Poem Unlimited, we’ll find tough themes backed up against grooving, moving disco & funk.

A quick fun fact is that (essentially) the live band for U.S. Girls has taken up their own project as Badge Époque Ensemble, lead by Remy’s husband Max Turnbull. If you’re looking for more white-hot funk that you’d find on a U.S. Girls album or in the improvisational moments of a ‘Girls live show, check out Badge’s music. But for now, U.S. Girls. Listen to this band.

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Recommended Albums: August 2021

Well – this took a lot longer to get up than I would have liked. September is nearly over at this point, so let’s just wrap up August quickly.

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Listen: Portishead – “Threads” [2008]

Going through a massive Portishead (specifically Third) phase and just wanted to share something quick to hopefully spur someone to listen to the album for the first time or maybe revisit it if they haven’t in a while.

“Threads” is the album closer and boy howdy does it leave things off on a sour note. Not only is there a creeping sense of dread throughout the whole song, spurred by a whining synthetic string note that hisses throughout, but also a spindly, purposefully inconspicuous guitar line that just sounds like someone standing around a corner, trying not to be noticed. Haunting horns moan out from crawl spaces, and Beth Gibbons sounds completely worn out until the end, where she confronts her ghostly antagonist, screaming “damned one”. It’s a clutching paranoia that fizzles out with a fog horn-like buzzing electronic, echoing into the dark night like a flood light.

The whole album is incredible. A mix of prog rock, experimental kraut rock, electronics, shades of Portishead’s previous trip hop sound, as well as many more sonic adventures. Nothing out there like it, that’s for sure.

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Listen: Circuit des Yeux – “Sculpting The Exodus” [2021]

Hard to calculate the excitement I’m feeling towards the release of the forthcoming Circuit des Yeux album, -io, coming October 22 via Matador Records. Our first taste of the record, “Dogma”, definitely felt like a teaser of some large iceberg dwelling beneath our proverbial consciousness, whereas the follow-up “Sculpting The Exodus” is a hulking behemoth, with dramatic strings, thumping percussion and bone-tingling vocals from Haley Fohr. Music that strips away flesh and stabs feeling right into our spinal cord. If you don’t feel any emotion while hearing Fohr’s voice… I’ve got bigger questions for you. The experience of a CdY album is usually an experience best consumed whole, so I’m really looking forward to seeing how this momentous piece fits into the sculpture that is -io.

-io is out October 22 via Matador. Pre-order the album HERE.

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