case/lang/veirs – “Behind The Armory” [2016]

I love Neko Case!!! This is a quieter moment on the collab LP from Neko Case, k.d. Lang & Laura Veirs and it is too lovely. Check out this LP, it will surely be one of my top favorites from this year by the end.

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Recommended Albums: May 2016

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Ok so May really spoiled us with a surplus of really good, memorable albums. I couldn’t choose just ten so here are 23. I’ll be brief I swear. Sort of. I hope you enjoy and maybe discover something new or revisit something you missed. Thanks for reading!

ANOHNI – Hopelessness – Secretly Canadian
a1895762218_10ANOHNI, FKA Antony (& The Johnsons) has made her most direct, unflinching statement yet with Hopelessness. Overflowingly relevant and political, sometimes the lyrics get too literal for me, taking me outside of the musical enjoyment zone and into one of serious commentary – a place I am not known to inhabit. Thankfully, there aren’t many moments on here that make me want to stop listening. With assisted production from Hudson Mohawke and Oneohtrix Point Never, Hopelessness is gorgeous, heartbreaking, invigorating and empowering.

Big Thief – Masterpiece – Saddle Creek
a2505388722_10A balanced, straightforward folk rock album with all the right elements to poise them to be the next huge indie rock stars. Nice amounts of slower, more acoustic songs and louder, electric-fronted jams. Great songwriting, appropriate energy flow throughout the album. The title track is also one of the best from this year. So yeah, get into this, before they ~~blowup~~.

 

Braids – Companion EP – Arbutus
braids-companionep-640x640Canadian synth pop group Braids made one of my favorite records of last year with Deep In The Iris, and now they’ve followed that up with a quick EP that fits well stylistically with their last one and whets my appetite for some pop music of the electronic-leaning, expertly arranged variety.

 

 

Car Seat Headrest – Teens Of Denial – Matador
Car_Seat_Headrest_-_Teens_of_DenialAs of May 2016, the indie rock posterboy savior. Car Seat Headrest has arrived to save indie rock, everyone. Personally I don’t get the massive amounts of hype flooding in, but I definitely like this album quite a bit. It has some highlights across its giant length and I can see it only growing in my mind from here. Also an interpolation of Dido. Let’s go.

 

Chance The Rapper – Coloring Book – Apple Music/self-released
ChUDWIHUUAAAaHnAlthough I’m not totally sold on Acid Rap, Chance has really hooked me in with Coloring Book, which is currently my go-to good vibes summer record. It’s lighthearted with a heavy message, puts listeners light on their feet while allowing some people to go hard. Also, 2 Chainz & Lil Yachty’s verses. That’s it.

 

Chris Cohen – As If Apart – Captured Tracks
unspecified1-640x640My favorite type of singer songwriters are those that are able to take an ordinary sound and make it into an extraordinary one. Chris Cohen does this spectacularly on As If Apart, choosing timbres and aesthetics to transform familiar territory into that of fantasy and mysticism. I’m not sure on the specifics on how he does it, but the proof is in the pudding. Damn why did I say that?

 

Death Grips – Bottomless Pit – Harvest/Third Worlds
FrontI honestly thought I was off the Death Grips train after The Powers That B. I had grown, matured, gotten past all the gore of the group. Nothing from the band could surprise and shock me anymore. But holy hell, I fell down this figurative bottomless pit of the Death Grips fandom once again. This is undoubtedly my most beloved album of theirs since The Money Store, which it most resembles as well. The hooks are memorable, the songs are… gripping… and damn – it’s just really, really good.

 

Gold Panda – Good Luck And Do Your Best – City Slang
gold-panda-good-luck-do-best-albumAlbums like these are why I will never be a professional music writer. All I can muster about this album is how it makes me feel, yknow? It’s a very feely album. Tons of great textures and moving beats. Stuff like this is made for being on the go: walking to the store, taking the train to work, driving to the beach. It’s meant for going. Something to enhance the world around you as you experience it, which I think is pretty cool.

Holy Fuck – Congrats – Innovative Leisure
holyfuck_congrats_coverOne of the best albums of the year, hands down. It’s ripe with bombast and nuance – it’s not just all “holy fuck!” It’s definitely a bit of that, but there are some more sensitive and groovy moments as well. But boy, I’ve been listening to this since January and I’m real glad more people can appreciate it now.

 

Jessy Lanza – Oh No – Hyperdub
JESSY-LANZA-OH-NOIf you wanna talk about grooves, this album has plenty of all shapes and sizes. Lots of 80s pop tropes, footwork twitches, general house tomfoolery, YMO-style synth noodling; but most of all, there are some ~~good vibes~~ on here. Parts of it remind me of what I wanted Grimes’ new album to sound like. Some of the vocals aren’t super on point, but the spirit is there in full, so that makes up for all of it.

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2016 So Far :: 40 Songs

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This is a list of 40 songs I enjoyed from 2016 so far, 10 of which are “ranked.” These are all incredible tentative decisions. These 10 songs were arranged at 2am on a weeknight. These are definitely songs that I really like a lot, but I’m unsure if they’ll stay my ultimate favorites for this year by the end. Who knows? Who cares? Only time will tell. Should you listen to all of them? I’d definitely say so. Will you like all of them as much as me? That depends. Either way, I hope you have a good time trolling through this thing here. Let’s go.

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Troller – “Storm Maker” [2016]

After many recommendations to check this album out, this has been by far the standout track for me. I really like it because it reminds me of Beach House, before they consumed too much of themselves with their two albums from last year. It’s a slow, fierce burner of a track. Really smooth, really goes down well.

Recommended Albums of May and mid-year lists coming soon.

Thanks for reading & listening.

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Recommended Albums: April 2016

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April came and went the fastest out of all the 2016 months, leaving some really great music along the way: gripping electronic music from Andy Stott, Kaitlyn Aurelia Smith & Tim Hecker; lovable indie rock from Frankie Cosmos & SALES; and some folk & country jams from Kevin Morby & Sturgill Simpson. Had a few surprise releases that were not so great, but that surprise new James Blake album will definitely be in my May list. I wonder if Radiohead will be? We’ll see, but for now let’s get into what April had to offer.

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Recommended Albums: March 2016

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March seemed to be a little lighter than January and February, but still kept 2016 on track to be another great, memorable year in my musical timeline. We saw a good amount of really great experimental electronic music from Amnesia Scanner & Mikael Seifu, an incredible collection of odds & ends from Kendrick Lamar, a nice balance of hard and light bangers with Baauer & The Range and a few more killer releases that will undoubtedly be on my top lists for the year. However, April has already been absolutely mind blowing in terms of quality, so let’s put the wraps on March now so April can fully strut its stuff. Here are my favorite releases from March 2016:

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Amensia Scanner – “AS CRUST” [2016]

Amnesia Scanner is going to be one of those names electronic music fans are going to see everywhere later this year & in 2017. I sure hope so, anyways.

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Kelela – “Floor Show” [2013]

This song came to mind today and I haven’t been able to get it out of my head. Kelela’s Cut 4 Me is still one of my all-time favorite pop albums – can’t wait for her follow-up!

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Recommended Albums: February 2016

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February was pretty great. Here are some albums that I like a bunch:

AMTHST – Euphoria EP
AMTHST-Euphoria-640x640The unlikely pairing of synth pop seductress Nite Jewel and Bay Area rapper Droop-E has resulted in some of the sexiest & silkiest music of 2016 so far. Like its album cover, the whole thing has a purple edge draped over the instrumentals, which for the most part are similar to modern contemporary jams, draped with consistent fog & pierced with bright lasers. It’s all about texture & atmosphere on this project, which is makes just an EP a perfect length for this collaboration, so that the mood doesn’t get stale.

Charli XCX – Vroom Vroom EP
Screen Shot 2016-03-04 at 12.49.13 PMIn the past I’ve been a fan of Charli XCX, specifically her first few singles (“Nuclear Seasons,” “Stay Away,” “You’re The One”), but nothing since then has caught the same amount of attention. Until now, of course. Charli’s immediate pop charm parading over electronic necromancer Sophie’s demented pop monstrosities is such an obvious fit, it’s nuts that these two haven’t collaborated before. It’s deliriously dark & fun pop music that brings out the best in both parties involved.

El Guincho – Hiperasia
El_Guincho_Hiperasia_1500After six years in the making, Spanish musician El Guincho has released Hiperasia, a drastic change from his bright, tropical-infused style to one that’s more electronic/vaporwave & hip hop influenced. The change came from El Guincho’s discovery of Madrid’s Asian market district and other urban environments, which caused his sound to sound more modern and city-obsessed as opposed to the easy, breezy vibes from Barcelona & the Canary Islands. Tracks here are bright, hard-hitting and sound like commercials for crazy, futuristic products flying directly at your face. It’s certainly a unique trip to start off 2016.

Kedr Livanskiy – January Sun EP
image.php_id_322_size_1024_g_profile_omnianmusicgroup.audiosalad_1024x1024Kedr Livanskiy lives in Moscow, but sounds like she’s been holed up in a Brooklyn or Chicago basement for years, analyzing the sounds of the assorted underground dance floors and morphing the textures and formulas into something totally new. There are strains of lo-fi house, IDM, drum & bass/jungle and so much more on here. This is easily one of my top favorite releases of this year just because it sounds like nothing else – it’s unnerving, hypnotizing, relaxing and upsetting all in one go. The lyrics are all in Russian, but the clarity of Livanskiy’s pop songwriting sensibilities are here. Get on the hype train now! Choo choo!

Matmos – Ultimate Care II
matmos5Ultimate Care II is an “experimental techno” album made entirely out of sounds from a washing machine’s wash cycle. That much becomes clear right from the start, when someone turns a knob and water starts flooding into the chamber, thus starting the journey. It’s truly an incredible auditory experience that is as therapeutic as it is blood pumping. But this isn’t new territory for Matmos, who have made songs comprised of samples of plastic surgeries, bovine uteruses & crawfish brains. Truly an inspiring piece of music for experimental musicians.

Mothers – When You Walk A Long Distance You Are Tired
mothers-when-walk-long-distance-new-albumMothers’ much buzzed about debut When You Walk A Long Distance You Are Tired shows much promise for this young band’s future. With delicate yet strong vocals similar to Angel Olsen and folk-leaning art rock instrumentals, Mothers create songs that are slow and deliberate, each line painfully spread to its limit. There are some seriously heartbreaking moments on here, which occasionally grow tiresome over the course of the album, but overall the intricate songwriting and obvious musical skill that the band possesses shows that they will be a band to watch with their sophomore record.

Mt. Si – Limits EP
limitsThis little EP is made from some big components of the modern LA synth pop scene, featuring members of Superhumanoids, Kisses & Classixx – a true supergroup going on right here. On Limits the supergroup comes together and grants us some pretty magnificent slices of dream pop perfection. Every song has a similar feel, but each has its own fantastic hook to help distance the feeling of monotony. Just sit back, relax and let these bubbly tunes exfoliate and cleanse all the bad vibes you collected throughout the week.

Pinkshinyultrablast – Grandfeathered
grandfeathered-1440 (1)If you’re looking for incredibly noisy shoegaze/dream pop from 2016, look no further. This thing is draped with a thick mat of distortion & feedback, which occasionally cuts out to reveal glistening & jangly pop instrumentals underneath with a slight math rock edge. Drums are pretty high in the mix, always adding a complicated rhythm to the mix, along with an extra melody guitar to shake things up. Prepare to get blown away, sonically and metaphorically.

Porches – Pool
a1603238052_10 (1)My stance on this album came as I was driving to my partner’s house after a long day of work and a two and a half hour train commute. This was going to be the last time I would see her for four months. I listened to this album on the way over, and when paired with the dark expanse of the highway, the groggy residue from train travel, anticipatory love pangs, and the streetlights rhythmically illuminating the way forward, the album hit a sweet spot. I think it’s an album that’s as much about feeling isolated as it is about feeling in love. As much about deep introspection as it is movement towards something bigger. To cut myself off before becoming a complete conceptualized ass, Pool is the album I need in my life right now.

Sarah Neufeld – The Ridge
sarahneufeldtheridgeart-1Sarah Neufeld is most well-known for her work in Arcade Fire, but I hold her to the highest regard with her 2015 collaborative album with Colin Stetson Never Were The Way She Was. Here we see her virtuosic violin playing shine, which for the most part flies solo aside from some accompanying percussion & vocals to augment the atmosphere. There are many moments of intensity like on the title track, but there are also moments of sublime elegance, like on the closer “Where The Light Comes In,” which is one of the most beautiful pieces of music I’ve heard in since Aphex Twin’s “Aisatsana” in 2014.

Other Notable Releases:

  • Animal Collective – Painting With : Homogenously textured record from experimental pop band that doesn’t sound as “experimental” as their previous records.
  • DIIV – Is The Is Are : Highly anticipated sophomore record accentuates their dreamy indie rock formula, with some tracks going heavier & more depressing than others.
  • DMA’s – Hill’s End : Authentic sounding brit-pop from some Aussies. This record is immaculately produced – like it’s one of the nicest things I’ve heard in a while.
  • Junior Boys – Big Black Coat : Electronic pop record that’s tons of fun and has lots of micro grooves to get you moving throughout the day.
  • Kanye West – The Life Of Pablo : The controversial hit & miss collection. Has so much squandered potential, but for the most part is pretty dang good.
  • Mass Gothic – Mass Gothic : New project from lead singer of Hooray For Earth. I love this dude’s voice, so chances are I’ll like almost anything he puts out.
  • Mount Moriah – How To Dance : Easily lovable alternative country music with lots of heart and traditional traits of the best, classic country music.
  • Prins Thomas – Principe Del Norte : Thick swaths of uncut smooth vibes for a good 90 minutes. Made for completely zoning out for a while.
  • School Of Seven Bells – SVIIB : Final album from synth pop band. Tons of sentimental value since it’s a posthumous work from one of the band members. They’ve been a favorite of mine for a while now.
  • Sunflower Bean – Human Ceremony : Debut album from young NYC-based rock band. Shows immense promise for the future of the group. Very excited to see what they do next.
  • Wild Nothing – Life Of Pause : Dream rock outfit’s third album that cuts back on the amount of usual haze for varied instrumental backdrops & songwriting hooks.
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Moons – “Waves At Night” [2012]

Moons is or was an Atlanta-based project and “Waves At Night” is the b-side of the only 7″ that they ever put out, as far as I know. The a-side, “Bloody Mouth,” sounds absolutely nothing like this. It’s closer to Phoenix if anything, which is interesting because the only other thing I’ve heard from Moons besides this 7″ is a remix of DIIV’s “How Long Have You Known.” It’s sonically closer to this, so when I heard “Bloody Mouth” I was pretty surprised.

“Waves At Night” is an ethereal slice of dream pop perfection with robotic, distant vocals and glittering synths populating the background. There’s a simple, constant drum machine beat that’s characteristic of the bedroom pop at the time (circa 2009-2012, based on my calculations) and there’s also lovely female vocals that are just high enough in the mix to hold their own, but not too in your face. Everything on this track meshes extremely well, which is why I’ve probably been so enamored with it for the past four years.

Songs like these are the treasures of the music blog era. Songs that were one-offs or little projects that gained notable attention in a few circles after being posted as a free download, but then faded into oblivion. I just love that! Mostly because I know that there are people like me out there that are still waiting for new material from an artist four years later. That’s my relationship with this Moons musician. If you’re out there – hope you’re doing ok.

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