DIIV – “Mire (Grant’s Song)” [2016]

FULL DISCLOSURE: I promote this album & band to radio stations at my job. I loved this band before the job though, so I think it’s real love, but hey, if you wanna get political about it, here’s the little tag for ya.

By and far my favorite song on the new DIIV album, even though I think all of it is pretty dang fantastic. I love Cole’s breakaway from the cool, subdued vocals that he has on almost all the other tracks of the album in a big way, by screaming his lungs out at the apex of the song. The whole song is brooding and boiling with energy. The smeared guitars are creating tons of havoc all over the track while the drums add madness to the chaos, occasionally filling in a rapid succession of quick hits. It’s nuts – real crazy n cool.

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Recommended Albums: January 2016

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Thought I’d start a monthly recap thing on here. Think of this blog as a big net that’s cast over the stream of music that flows through the year and these are the “catches of the day,” in a way. There’s a huge spectrum of releases featured here, from lovely Americana, to paranoid space terror, to perkied-out hip hop to funeral doom metal. Pretty good way to start off 2016.

Continue reading →

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Lycus – “Solar Chamber” [2016]

One new trend that has emerged in my listening habits over the last three years is the blossoming acceptance towards types of metal. This definitely started in 2013 with Deafheaven’s Sunbather and slowly moved forward into realms of doom, sludge and pseudo-black metal.

This is definitely in the “doom metal” sector of business.

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Wild Nothing – “To Know You” [2016]

This song is fantastic, but the chorus really, REALLY reminds me of No Doubt’s version of “It’s My Life.” I’m actually watching that music video for the first time since probably 5th grade when it was on MTV almost every day. Such memories.

I’m gonna listen to some No Doubt now.

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Slint – “Ron” [1989]

Been getting more into Slint’s first record Tweez which is a lot better than I thought it was initially. Sure, Spiderland is almost completely different, but this has its own redeeming qualities, such as the signature Steve Albini production that makes the guitars extremely tinny and the drums real huge. These are just a bunch of teenagers messing around in the studio and the results are something really cool. This is the first track off the album.

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Women – “Eyesore” [2010]

One of my favorite songs of 2010 & one of my favorite songs of all time. This album came out in my senior year of high school and I remember listening to it and freaking a lot of my friends out because they had never heard music like this anywhere. Neither had I, but I was the one actively seeking this out, unlike my friends who were just being put through it. There are other tracks on the album that are a lot more “out there” than this, but this one is by far the most satisfying. There’s a wild chord that gets me every time at around 3:08.

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Kedr Livanskiy – “Razrushitelniy Krug” [2016]

Love this track off of an upcoming EP from Russian electronic pop musician Kedr Livanskiy. The name translates to Lebanese Cedar and the track name translates to “Destructive Cycle.” Instrumental definitely has strains of early Aphex Twin and maybe some lighter Crystal Castles. Can’t wait to hear more.

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Beat Connection – “In The Water” [2010]

Very little can beat that synth texture. Extremely bouncy and luxurious. I started listening to this song right after I moved to Connecticut. Played a lot of Portal to this album.

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Lemonade – “Neptune” [2012]

Holy shit, summer 2012.

Shout out to Ryan, if he’s reading.

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Four Tet – “Pyramid” [2012]

This is from Four Tet’s album Pink. I didn’t really get into it as much as There Is Love In You, until about a year or two later. This track slaps. Four Tet has slowly grown into being one of my all-time favorite electronic musicians, which isn’t too much of a surprise, based on his giant and loyal fanbase, as well as the consistent quality of his work.

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