SO:
I decided to collect all the songs that I freaked out about in the month of January and I’m gonna put it on here. WOO. Check these bangers out!!!
NOTE: This post is MASSIVE. Take it in DOSES.
SO:
I decided to collect all the songs that I freaked out about in the month of January and I’m gonna put it on here. WOO. Check these bangers out!!!
NOTE: This post is MASSIVE. Take it in DOSES.
I featured John Talabot last year on the old blog with his song “Families” that featured Cameron Meisrow, AKA Glasser, a favorite of 2010 with her LP Rings. This tune is great and builds like an electronic construction site (PFFTCCHHH sorry I’ve already written four blog posts today) and features an excellent, tasty bassline. This really reminds me of 2006/7-era electro pop, which was an excellent time period for my electronic loving ears. Brilliant sound really bubbles up and out from beneath the layers that the song lays down ending in a jacuzzi-like setting of warm, pulsating jets of synth noise, bubbling up with buoyant basslines. Awesome. You can get “fIN” on iTunes and Amazon MP3 now, but the physical copy comes out on February 7th.
Yeah Jacuzzis!
My favorite band name to tell my friends about, oOoOO, is back with a new witch house jam. It’s not as intrusive as some of the previous witch house songs I’ve heard in my day, so it’s still accessible to electronic music fans alike. It’s light and airy like a powdered doughnut, but it’s spooky, like good witch house, as well. Haunted powdered doughnuts all around. Download this doughnut HERE
Have a doughnut today! They’re delicious! Or some kind of pastry. You deserve it.
Evian Christ kicked off 2012 with a bang with his song “Thrown Like Jacks” which samples one of my favorite artists from last year, Grouper, by taking her ethereal drones and adding rave like beats to it, turning a once-unsettling, low key song into a potential warehouse club banger. The UK producer now has a whole mixtape of his available for download in high quality, so I highly recommend checking that out! FREE MUSIC! WOO!
Download the mixtape HERE
Aw yeah free music yeah
Grizzly Bear/Department of Eagles frontman Daniel Rossen is releasing a solo EP this year entitled Silent Hour/Golden Mile along with hopefully another Grizzly Bear LP. Previously, we had heard the great song “Saint Nothing” and now we have “Silent Song” which features more instrumentation than the former. Got me really pumped for this EP, dude! Listen to “Silent Song” below.
WOO!
New York ear-splitters are back again with their new EP, Onwards to the Wall, which features the same aPtBS sound as usual: sharp like nails guitars; extremely energetic drum work; reverbed, echoing vocals and BUCKETFULS of distortion. Honestly, you could build a castle with the amount of radical feedback and distorted sounds they create on this thing. I wouldn’t have it any other way, of course. Stream this sucker at Hype Machine. You can get it on February 7th.
Have a great day!
Also, it feels like April here at the University. Feels good man!

It’s a dreary, rainy day: perfect for me to review this hazy thing.
Last time we heard Leyland Kirby, or The Caretaker as he is known by many, he was distorting our minds by placing them into haunted mansions and getting surrounded by dust, ghosts of the bourgeoisie and crackly records. Another account on what the album sounded like was an old, decaying person suffering from Alzheimer’s trying to rekindle their youthful spirit within themselves by playing a favorite record of theirs from childhood, but failing to rekindle the spark. This ultimately leads to them wandering through a fog in their own minds. This was on “An Empty Bliss Beyond this World,” which should have been on my Top 50 albums of 2011, but I forgot about it. I can always make another list.
Anyways, this album, “Patience (After Sebald) is a soundtrack to a film about the dead writer W.G. Sebald, directed by Grant Gee. This doesn’t really feel like a film soundtrack, since it sounds a lot like The Caretaker’s last outing, “Empty Bliss” since it’s loaded with crackles, distortion, lonely piano lines and the feeling of your mind slowly deteriorating. Not to say this thing is a bad thing- your mind isn’t really deteriorating. The album just puts you into a mindset that transports you to another realm.
This album, I’d like to think, takes place in the same universe that the last one left off in. The person listening to the record, trying to rekindle the energy of their youth. This starts off in the same person, but the character is in much worse shape. Their mental state is almost completely gone and the conscious state of the character is left to sift around in the crumbling wreckage of what once was a beautiful mind. Such a sad image, isn’t it? This is a sad album. Not really a sad album, but one you wouldn’t put on at a Superbowl Party. This features all the ambient textures that were included in the last album, but they are more fragmented and spaced apart by white noise and other ominous echoes. It’s an extremely immersive experience that has me gawking at the ability of this dude’s music making abilities.
The whole album is a dark journey you have to take with this character, shuffling through old memories and having them slowly fade away into oblivion. The last track is up for discussion on what it means, but I have my definite hypothesis on what happens. Also, this is just my interpretation of music. If you have different thoughts about the album or maybe no reaction at all, let me know. Either way, this album is one heck of a trip; placing you in a crumbling landscape of memories. I recommend this definitely.
REC’D TRACKS: This album is a whole-album listening experience. If you get single songs, the impact will be lessened. But hey, do whatever kids.
“When the Dog Days Were Drawing to an End,” “I Have Become Almost Invisible, to Some Extent like a Dead Man,” “No One Knows What Shadowy Memories Haunt Them to this Day” and “Increasingly Absorbed in His Own World.”
Have a non-deteriorating day!
Her’s a cut off of punk revivalists The Men upcoming record “Open Your Heart,” their follow up to one of my favorites of last year, “Leave Home.” This track is clearer than the tracks on the previous album, but it still holds that traditional, old-school punk feel with the distorted guitars and fast-paced drums kicking up a furious whirlwind of energy and noise. Check this one out and look for The Men’s new album coming out on March 6th.
Have an open-hearted day!
First off we have a song from Daniel Rossen, the frontman of the great band Grizzly Bear. This track is quite bare, featuring mostly just a piano line and Rossen’s sweet vocals. Just so melancholic and stripped, a genuine plead for forgiveness or something like that. Let’s put it this way: it’s by a member of Grizzly Bear, so it’s already bound to be amazing. Listen & download, please.
dl.soundowl.com/2mhj.mp3

Trailer Trash Tracys lit up the blogs of last year with their single “Dies in 55” which featured floaty vocals, sugary arpeggiating synths and plush bass lines. “Candy Girl” sounds almost like a tribute to sounds of the 80’s and 90’s with Jesus and Mary Chain or Joy Division, with tons of reverb on everything, echoing drums and a constant, dizzying riff going throughout the song. I love it, hope you do too!

Tennis’ more polished sound that’s going to be featured on this new album of theirs is getting me all excited. I loved their debut album, but this maturation of sound, ditching the fuzziness of some parts and embracing a more clean and direct approach is amazing. Case and point is this song: sweet as sugar and perfect for a summer day on the sea. Tennis, don’t stop what you’re doing.
Have a great day, everyone!
SLEIGH BELLS.
I don’t know about you, but the words “Sleigh Bells” loosely translate to “badass” in my mind whenever I hear them. This becomes difficult and when people are talking about Christmas or other wintery affairs. This video just cements the badass feel to Sleigh Bells, featuring Alexis Krauss jumping on a bed with a gun, dancing, leather jackets, Derek Miller on a skateboard, lens flares, Krauss with blonde hair, varsity jackets, Ray-Ban Wayfarers, and MORE. The song is also sick. SO there’s that.
Since I can’t embed things on here, watch the video at MTV.
Have a badass day, everyone!