Stream: A Place to Bury Strangers’ “Onwards to the Wall”

New York ear-splitters are back again with their new EP, Onwards to the Wall, which features the same aPtBS sound as usual: sharp like nails guitars; extremely energetic drum work; reverbed, echoing vocals and BUCKETFULS of distortion. Honestly, you could build a castle with the amount of radical feedback and distorted sounds they create on this thing. I wouldn’t have it any other way, of course. Stream this sucker at Hype Machine. You can get it on February 7th.

Have a great day!
Also, it feels like April here at the University. Feels good man!

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Radical Album: The Caretaker – “Patience (After Sebald)”

It’s a dreary, rainy day: perfect for me to review this hazy thing.

Last time we heard Leyland Kirby, or The Caretaker as he is known by many, he was distorting our minds by placing them into haunted mansions and getting surrounded by dust, ghosts of the bourgeoisie and crackly records. Another account on what the album sounded like was an old, decaying person suffering from Alzheimer’s trying to rekindle their youthful spirit within themselves by playing a favorite record of theirs from childhood, but failing to rekindle the spark. This ultimately leads to them wandering through a fog in their own minds. This was on “An Empty Bliss Beyond this World,” which should have been on my Top 50 albums of 2011, but I forgot about it. I can always make another list.

Anyways, this album, “Patience (After Sebald) is a soundtrack to a film about the dead writer W.G. Sebald, directed by Grant Gee. This doesn’t really feel like a film soundtrack, since it sounds a lot like The Caretaker’s last outing, “Empty Bliss” since it’s loaded with crackles, distortion, lonely piano lines and the feeling of your mind slowly deteriorating. Not to say this thing is a bad thing- your mind isn’t really deteriorating. The album just puts you into a mindset that transports you to another realm.

This album, I’d like to think, takes place in the same universe that the last one left off in. The person listening to the record, trying to rekindle the energy of their youth. This starts off in the same person, but the character is in much worse shape. Their mental state is almost completely gone and the conscious state of the character is left to sift around in the crumbling wreckage of what once was a beautiful mind. Such a sad image, isn’t it? This is a sad album. Not really a sad album, but one you wouldn’t put on at a Superbowl Party. This features all the ambient textures that were included in the last album, but they are more fragmented and spaced apart by white noise and other ominous echoes. It’s an extremely immersive experience that has me gawking at the ability of this dude’s music making abilities.

The whole album is a dark journey you have to take with this character, shuffling through old memories and having them slowly fade away into oblivion. The last track is up for discussion on what it means, but I have my definite hypothesis on what happens. Also, this is just my interpretation of music. If you have different thoughts about the album or maybe no reaction at all, let me know. Either way, this album is one heck of a trip; placing you in a crumbling landscape of memories. I recommend this definitely.

SCORE: 84/100

REC’D TRACKS: This album is a whole-album listening experience. If you get single songs, the impact will be lessened. But hey, do whatever kids.
“When the Dog Days Were Drawing to an End,” “I Have Become Almost Invisible, to Some Extent like a Dead Man,” “No One Knows What Shadowy Memories Haunt Them to this Day” and “Increasingly Absorbed in His Own World.”

Have a non-deteriorating day!

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New: The Men – “Open Your Heart”

Her’s a cut off of punk revivalists The Men upcoming record “Open Your Heart,” their follow up to one of my favorites of last year, “Leave Home.” This track is clearer than the tracks on the previous album, but it still holds that traditional, old-school punk feel with the distorted guitars and fast-paced drums kicking up a furious whirlwind of energy and noise. Check this one out and look for The Men’s new album coming out on March 6th.

Have an open-hearted day!

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Radical Tracks! Daniel Rossen, Trailer Trash Tracys & Tennis

Daniel Rossen – “Saint Nothing”

First off we have a song from Daniel Rossen, the frontman of the great band Grizzly Bear. This track is quite bare, featuring mostly just a piano line and Rossen’s sweet vocals. Just so melancholic and stripped, a genuine plead for forgiveness or something like that. Let’s put it this way: it’s by a member of Grizzly Bear, so it’s already bound to be amazing. Listen & download, please.

dl.soundowl.com/2mhj.mp3

Trailer Trash Tracys – “Candy Girl”

Trailer Trash Tracys lit up the blogs of last year with their single “Dies in 55” which featured floaty vocals, sugary arpeggiating synths and plush bass lines. “Candy Girl” sounds almost like a tribute to sounds of the 80’s and 90’s with Jesus and Mary Chain or Joy Division, with tons of reverb on everything, echoing drums and a constant, dizzying riff going throughout the song. I love it, hope you do too!

Tennis – “My Better Self”

Tennis’ more polished sound that’s going to be featured on this new album of theirs is getting me all excited. I loved their debut album, but this maturation of sound, ditching the fuzziness of some parts and embracing a more clean and direct approach is amazing. Case and point is this song: sweet as sugar and perfect for a summer day on the sea. Tennis, don’t stop what you’re doing.

 

Have a great day, everyone!

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New Video: Sleigh Bells – “Comeback Kid”

SLEIGH BELLS.

I don’t know about you, but the words “Sleigh Bells” loosely translate to “badass” in my mind whenever I hear them. This becomes difficult and when people are talking about Christmas or other wintery affairs. This video just cements the badass feel to Sleigh Bells, featuring Alexis Krauss jumping on a bed with a gun, dancing, leather jackets, Derek Miller on a skateboard, lens flares, Krauss with blonde hair, varsity jackets, Ray-Ban Wayfarers, and MORE. The song is also sick. SO there’s that.

Since I can’t embed things on here, watch the video at MTV.

Have a badass day, everyone!

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New: Tennis – “My Better Self”

Hey y’all!

New Tennis track out here from their upcoming album “Young and Old” produced by Patrick Carney of The Black Keys. Sweet mamma jamma this is a bamma. Well, I’ll stop that now, forever. Listen to it on Blahblahblahscience

Have a nice, Tennis-filled day!

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New Andrew Bird – “Eyeoneye”

Hey all,

Here’s a new Andrew Bird song from his upcoming album, “Break It Yourself” coming out March 6th.

Have a nice day!

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Radical Album! Cloud Nothings – “Attack on Memory”


Hello all!

Well, this is the first album review that I’m posting on Combo Breaker Kid of 2012 and it’s a GOOD ONE.

Cloud Nothings have been known to create fuzzy, simple pop songs with catchy hooks and laid back vibes. Dylan Baldi was sick of this simple song format and decided to write some emotionally dense music with sharper edges and a more aggressive attempt to make a “music album” to quote Baldi in his interview with Pitchfork. The band enlisted punk legend Steve Albini (Big Black, Shellac) to help produce the record, although apparently he didn’t do much with it, according to that same Pitchfork interview.

Nevertheless, this album blew me away the first time I listened to it. Actually, it blows me away every time I listen to it. The first song is a trip in itself: “No Future/No Past” starts off with a minimal piano line that slowly crashes into a huge, powerful, screaming fit. This first song really cements the band’s new sound and their goals they want to put across to their listeners.

The second song, “Wasted Days” starts off with a sweet guitar riff that evokes the band’s music inspirations like Sunny Day Real Estate or other “emo” bands from the 90’s. It’s catchy like their previous songs, but it actually holds a substantial amount of weight, instead of the floating pop songs that they crafted previously. Then there’s a long instrumental break that doesn’t seem forced or out of place at all, because it’s just a smokescreen for a gigantic, chaotic buildup that ends with Baldi screaming his lungs out with “I thought I would be more than this.” Powerful stuff.

Other standouts include the purely instrumental track “Separation” which is one of the more invigorating tracks on the record, featuring some extremely skilled tune-writing work by the band; “Stay Useless,” probably the poppiest track on the album but that still holds the aggressive edge that the album had going; and “Cut You” which has pretty emo-like lyrics and features a nice fusion of the cool punk sound with a pop feel.

This album really will stick with you after the first listen and I would not doubt that it will appear in the Top 50 of 2012.

RATING: 90%

STANDOUT TRACKS: No Future/No Past, Wasted Days, Stay Useless, Separation, No Sentiment, Cut You

Have a fantastic day!

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New: Miike Snow – “Paddling Out”

Hello friends;

Miike Snow have released another song from their upcoming second album, Happy to You, called “Paddling Out.” Got that signature Miike Snow sound with upbeat, danceable percussion and synth patterns with the high pitched vocals. It’s a pretty good banger, check em out if you’re really into that stuff.

Have a nice day!

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Radical Tracks: Schoolboy Q and Lower Dens

Woo new really good tracks!

Schoolboy Q (feat. A$AP Rocky) – Hands on the Wheel

This track… is very nice. I’m not really the biggest connoisseur when it comes to hip-hop, but when I find a really good track that I like, I’m all over it. The layering of the Kid Cudi cover sample and the tight rapping of Q and Rocky is excellent. Seriously, go listen to this if you don’t totally shun hip-hop.

Lower Dens – Brains

I didn’t really dig Lower Dens’ debut album in 2010, but this I can get into. The song structure is a giant buildup, which is always a sticky deal. Sometimes they can be disappointing, but when they’re pulled off successfully, they can be so, so sweet, like this song.

Have a nice day!

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