Recommended Albums: November 2020

November 2020 yielded some really lovely albums that helped soothe the anxieties that have been accumulating throughout this year. Ana Roxanne, Domenique Dumont, Faten Kanaan, Jesse Kivel, WL all kept me polished and smooth, porous and formless. Luis Pestana fed into my doomsday daydreams, Mamalarky and Pink Siifu & Fly Anakin warped my reality like a funhouse mirror, and Badge Époque Ensemble and Lindstrøm & Prins Thomas got me on a groove. Does anyone ever read these little blurbs? Either way, there were some great records out this month that will definitely be making my Top 50 of 2020, which is coming soon!

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Listen: Grouper – “Thanksgiving Song” [2018]

Pretty self-explanatory. Happy Thanksgiving. Think about Native Americans today and what we can do to help them.

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Listen: Faten Kanaan – “The North Wind” [2020]

Got a late night tale for ya. Been really enjoying the new Faten Kanaan album, out now via Fire Records. Expect glacial, cinematic soundscapes that both tap the past for dirge-like melodies, but also peer into the future with technology used and mechanical sounds present. If you want a recent comparison, the new Anna Von Hausswolf isn’t too far off, but it’s not just all pipe organ, it’s all sorts of tones and textures I can’t even place them all.

I hadn’t really thought about her music since I saw her open for Weyes Blood in a church back in 2016. Noticed this new album and decided to give it a try – very happy I did. Easily one of my favorite releases of the month.

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Listen: Hozan Yamamoto With Sharps & Flats – “よさこい節” [1971]

You thought I was done with the grooves? I am always on the hunt for the perfect groove, so don’t ever doubt me again. This time I’m coming at you with the 1971 album Beautiful Bamboo Flute by Hozan Yamamoto with Sharps & Flats, an album that pretty much sounds as it’s called: beautiful bamboo flute playing with a serious jazzfunk band stacked behind. On my first listen I was immediately getting Arthur Verocai band vibes, with heavy, fat bass & drums, nimble guitar and booming horns. Only instead of great vocals in Portuguese, you’re getting an ethereal, pure flute sound cutting through with grace. A more modern example might be Badge Époque Ensemble, where their flute playing takes some center stage. Either way, it’s totally wild and 100% worth your time.

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Listen: Katy Kirby – “Traffic!” [2020]

Saw this getting shared around with high velocity on my timeline yesterday and after one listen, I realize why. Katy Kirby is a musician based in Nashville with a debut album on the way, Cool Dry Place via blog-fav label Keeled Scales. Her first single, “Traffic!”, showcases some real acrobatic vocal chops, executing flips, dips, spins and twirls through flaming hoops of steady indie rock instrumentation that change direction on the dime-like-cues that Kirby sets with her vocal melody. Throw in a little tasteful vocoder-like touch to the vocals and boom – you’ve got the tune, something that has officially kickstarted my enthusiasm for upcoming 2021 releases.

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Listen: Home Boy & the C.O.L. – “Money’s Funny, Change Is Strange” [1982]

Oh hell yes. Now if you really want something funky, look no further than Home Boy & the C.O.L.’s self-titled 1982 record. With song titles like “Home Boys Revenge” and “Funk Yourself To Death”, you should know what you’re in for. “Money’s Funny, Change Is Strange” was the crown jewel of the album to me, featuring a wicked synth bass line, amazing (and more relevant than ever – “how can you get over if you got no game?”) lyrics, sax solos, vocoder, emphatic triangle hits, and killer rhythm guitar. The whole record is great and you should absolutely listen to it, but dig into the funk immediately with this cut first.

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Listen: Yuki Nakayamate – “Secrets (9 to 4)” [1982]

Continuing my trawl through a trove of rare groove nuggets I recently pulled in. I’m obviously always drawn to Japanese records from the late 70s and 80s, and Yuki Nakayamate’s Octopussy definitely does not disappoint. Luxurious, high-class pop with world-class instrumentation and some flair for the creative. I know some people prefer “Silhouette Call” on the album, but “Secrets (9 to 4)” really blew me away. The dreamy horns and synth mixed with a kind of highlife beat were too much already, but the parts where a typewriter acts as an additional instrumental accent? Come on now – how is this track not more popular with city pop types?

If you’re able, seek this track + album out – you will not be disappointed.

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Listen: Harry Case – “Jam (At Your Party)” [1989]

Recently came across a big trove of groovy records that I’ll hopefully be sharing on the blog. Just snagged a vinyl rip of this Harry Case album In A Mood, which I don’t recommend you look up on Discogs unless you’ve got a fat wallet. Instead, delight in the labor that some owner did and enjoy this hidden gem of jazz-funk with tightly-programmed electronic drum machine and lightning keys and guitar. I guarantee this is a party-ignition cut. I also recommend searching out “Ride Em Off” with luscious synthetic strings & guitar, awesome hand percussion and peak late-80s funk stabs.

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The 100 Best Albums of the 1990s

In what might be the vainest of my vanity projects, I decided to plunder the music of the 1990s, the decade of my birth, to “rank” my favorite albums. Why? It’s not like anything I list here is going to be a major breakthrough for a totally slept-on artist from the time period. These are albums you’ve seen time and time again in lists, in life, on the internet, in major music publications, etc. I bet that’s really selling you on scrolling. But I wanted to go through the 90s right now since 2020 is the perfect time for a surplus of escapist nostalgia. I also realized that I’m remarkably deficient when it comes to certain 90s classics. You’ll see the big collection of records I listened to for the first time below the big list. It’s also my damn blog so I can do whatever the hell I want. I also realized while listening to “classics” that I don’t really care about grunge or super rock-heavy records. You’ll also see I especially like certain bands, with lesser-liked records from Cocteau Twins, Beck and The Sundays taking spots over well-beloved potential inclusions.

If you’re reading this list and get mad that a certain record is in a certain position, or that something is not on there at all, consider stepping away from your computer or phone and look out a window, take a breath, and remind yourself that “this is just one person making a list of his favorite albums from the 1990s. This has no impact on my own personal views. There are really SO many records, more than 100 in fact, from that span of 10 years that are considered “classics” of many, many different genres. I can even make my own list if I want to”. It’s just that easy. Rage is not the answer anymore. Just read, delight in these classics, and slip away to not-2020 for maybe just a few minutes.

I even made a freakin’ Spotify playlist for you to listen along: HERE.

100. Oasis – (What’s The Story) Morning Glory?
99. Madonna – Ray Of Light
98. Guided By Voices – Alien Lanes
97. Arto Lindsay – Noon Chill
96. Bowery Electric – Beat
95. Weezer – Blue Album
94. Dirty Three – Ocean Songs
93. The Prodigy – The Fat of the Land
92. Belle & Sebastian – Tigermilk
91. Duster – Stratosphere
90. Teenage Fanclub – Bandwagonesque
89. Spiritualized – Ladies and Gentlemen We Are Floating In Space
88. Primal Scream – Screamadelica
87. Fiona Apple – Tidal
86. American Football – American Football
85. Bark Psychosis – Hex
84. The Sundays – Blind
83. Beck – Midnite Vultures
82. Angelo Badalamenti & David Lynch – Soundtrack From Twin Peaks
81. Silver Jews – American Water
80. Smog – Knock Knock
79. Prefab Sprout – Jordan: The Comeback
78. Digable Planets – Reachin’ (A New Refutation Of Time & Space)
77. Wilco – Summerteeth
76. Tortoise – Millions Now Living Will Never Die
75. Nine Inch Nails – The Downward Spiral
74. Red House Painters – Red House Painters
73. Emmylou Harris – Wrecking Ball
72. Guided By Voices – Bee Thousand
71. Dismemberment Plant – Emergency & I
70. The Fugees – The Score
69. Insides – Euphoria
68. Built To Spill – Perfect From Now On
67. Sigur Rós – Ágætis Byrjun
66. Pavement – Crooked Rain, Crooked Rain
65. Portishead – Portishead
64. Weezer – Pinkerton
63. Boards of Canada – Music Has The Right To Children
62. Unwound – Repetition
61. Modest Mouse – The Lonesome Crowded West
60. Sleater-Kinney – Dig Me Out
59. Nirvana – Nevermind
58. The Breeders – Last Splash
57. Nick Cave & The Bad Seeds – Murder Ballads
56. Godspeed You! Black Emperor – F#A# Infinity
55. Stereolab – Emperor Tomato Ketchup
54. Liz Phair – Exile In Guyville
53. D’Angelo – Brown Sugar
52. Tortoise – TNT
51. Jim O’Rourke – Eureka

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Listen: Alan Hawkshaw & Brian Bennett – “Oddball” [1974]

Stop me if you’ve heard this one before: a friend of yours visits Dubai and goes to a record store. He finds an interesting looking piece in the “Highly Recommended” section. He then recommends it to you. What he found on the record has nothing to do with Dubai or the Middle East, but ALL about groovy funk, squelchy synthesizer and sick bass lines. Has this ever happened to you? PLEASE CALL ME RIGHT NOW!

Nah but seriously, this is some funky, chunky stuff. Put it on to instantly improve your day.

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