Recommended Albums: November 2019

We’re in the final stretch of 2019 and by proxy, the decade! How has November stacked up against the rest of the year? Pretty well! We have an excess of ten records here, mostly because a lot of what I’m posting here really excites me. Many of the records listed here set up a lot of bands for breakout 2020s. EPs from new projects like Ducks Unlimited, Margaux and Malibu (although she’s been in my sights since Mono No Aware in 2017), a hugely hyped metal record from Blood Incantation and apparently new things coming from Andy Stott. We’re about to get into ALL the recap biz soon, so check these out before that happens!

Andy Stott – It Should Be Us EP [Modern Love]
A mad scientist’s morbid experiments are rummaging in the dark air ducts above.

Arthur Russell – Iowa Dream [Audika Records]
A big city takes on the quaintness of a small town once you roam and groove around in it long enough.

Blood Incantation – Hidden History of the Human Race [Dark Descent]
A giant hand emerging from the ocean, shooting geysers of magma into the stratosphere.

Ducks Unlimited – Get Bleak EP [Bobo Integral]
Running away from the police in slow motion, jumping over hedges and knocking champagne glasses out of wealthy acolytes’ hands.

FKA twigs – MAGDALENE [Young Turks]
A large chrysalis crash lands from space onto a barren area of earth and ferociously sprouts dense vegetal growth; an all-encompassing forest of vines and flowers.

Girl Ray – Girl [Moshi Moshi]
The wondrous, early morning joy of a road trip with friends sustained.

Lapalux – Amnioverse [Brainfeeder]
A cloud of microscopic beings take care of you after being sucked into space, teaching you how to breathe without oxygen and harvest cosmic energy in the far reaches of the galaxy.

Malibu – One Life EP [UNO NYC]
A high-speed snapshot of a sheath of water enveloping an olympic swimmer, bulging up from the surface of a pool and reflecting the harsh lights of the natatorium.

Margaux – More Brilliant Is The Hand That Throws The Coin EP [Massif Records]
A sliver of the winter sunset slices through the clouds, into your bedroom window and right into your outstretched palm while resting on the floor.

Mount Eerie & Julie Doiron – Lost Wisdom Pt. 2 [P.W. Elverum and Sun]
Emptying your pockets after a long trip and finding a flower someone gave you still intact.

+ 3 more records that I came upon late & still wanted to feature:
Griselda – WWCD [Shady]

WET FRUIT – WET FRUIT [Halfshell Records]

Whistling Arrow – Whistling Arrow [God Unknown Records]

GR8 SONGS OF NOVEMBER:

Best of 2019 Spotify Playlist!

  • 03 Greedo & Kenny Beats – “Blue People (feat. Vince Staples)”
  • Andy Stott – “Promises”
  • Ducks Unlimited – “Gleaming Spires”
  • FKA twigs – “Cellophane”
  • FKA twigs – “Fallen Alien”
  • FKA twigs – “Holy Terrain (feat. Future)”
  • FKA twigs – “Sad Day”
  • The Galleria – “Stop & Go”
  • Girl Ray – “Let It Go”
  • Girl Ray – “Show Me More”
  • Griselda – “City On The Map (feat. 50 Cent)”
  • Lapalux – “Limb to Limb (feat. Lilia)”
  • Margaux – “Hot Faced”
  • Malibu – “Nana (Like A Star Made For Me)”
  • Mount Eerie & Julie Doiron – “Love Without Possession”
  • SASSY 009 – “Okay”
  • SASSY 009 – “Maybe In The Summer”
  • Sudan Archives – “Confessions”
  • Sudan Archives – “Iceland Moss”
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Playlist: 2010 – 2019 – A Decade Collected

I’ve been working on this playlist to collect all my favorite songs of the 2010s for well over a year. It initially began in my iTunes, but I quickly realized that there’s more to life than what’s in my immediate iTunes library. After moving to Spotify and trawling around there, it ballooned from a little over 300 songs to almost 1500, and it’s still growing as I get suggestions from friends and continue my quest to listen to more records from the decade.

It’s mostly just widely-accepted indie classics, favorite electronic, and a few wildcards thrown in. It’s organized by year and then alphabetically. Yes I had to do all that manually. It’s best to just pick a song and shuffle it from there. Think of it as a big, old playlist that you’d put on your iPod back in the day and just let go for weeks. The art of the shuffle. Although that may not be the culture nowadays, that still means a lot to me. I’ll be refining this list down to 200 soon, so keep your eyes pasted on the blog to catch that.

CLICK HERE TO LISTEN TO 2010 – 2019 VIA SPOTIFY

I’m not even gonna try typing it all out here, but that’d be pretty cool, wouldn’t it? Don’t worry, I’ll have a long-ish playlist to type out soon 🙂

Here are some songs that AREN’T on Spotify that you should listen to as well! Note that these are going off my personal iTunes library, which I’ve been accumulating songs on since 2007 (in this current library). I haven’t kept as good track as I should when it comes to things streaming and what’s not, but here’s what I have right now. Lots of Joanna Newsom and Elite Gymnastics, but also a few others that are definitely important to me and my music consumption this decade. I’ll definitely be adding to this as I find more songs, this is just the initial harvest from my library. Who knows what I’ll find next.

Check the whole list out in the read more:

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Listen: MGMT – “Electric Feel (Aeroplane Remix)” [2008]

One thing that I think has been lost as the 10s has progressed is the high-profile, or publicized, indie remix. There were whole albums dedicated to remixes of songs off a particular album, usually done by other similarly large artists / buzzy up and comers. Music blogs ate these cuts up (including yours truly) – more fodder to post with attractive names. Sometimes it’s a dream collab – a dreamy artist putting their take on a similarly dreamy song, someone bringing their sense of groove to another groovy song? The possibilities were endless. Looking back, I see Grimes remixing Washed Out, Toro y Moi remixing Cut Copy, Hot Chip remixing Gorillaz, etc.

These days I gotta expect it’s still happening but on a much smaller scale, since I haven’t seen any massive remix compilations come out with the same amount of focus put upon it by their fanbase or by the media. I know Björk has been pretty consistent in getting exciting new names to remix her stuff, and maybe a few others come to mind, but it’s safe to say the art of the remix has dropped off strikingly, starting in around I’d say 2012 or 2013. In 2011 I even posted a list of my favorite remixes from that year. Is it because the roll of the dice isn’t worth it sometimes? There are bad remixes, maybe folks didn’t want to roll the dice on posting about a poor flip. Maybe the sheer amount of unique music coming out right now is just too high to even consider posting about remixes unless it’s by someone incredibly huge. There are also barely any music blogs left, less places for publicists to make home for a stray remix or two. A multitude of factors, I’m sure.

I know EDM / electronic remixes have legs for days and find themselves in mixes more often than not, even in 2019, but I guess I’m talking about songs more like the one I’m posting here, MGMT’s “Electric Feel” remixed by Belgian duo Aeroplane. I heard it on KCRW this past week and was instantly teleported back to the late 00s and checking Hype Machine nearly every day to listen to the hottest new tunes. Aside from the fact that the original song is closely tied with the indie boom of the time, the nu-disco sound of the remix really cements it in 2008. I feel like stuff like this just isn’t being made anymore. Maybe that’s for the best, allowing us to return to groove gems like this without fatigue. You gotta love that sneaky, mischievous bass line and dedicated hi-hat. In 2019, this doesn’t seem ironic-sounding. In 2008, was it ironic? Were people genuinely grooving with this like I am right now? Back then, I feel like not everyone was irony poisoned like they are now. Either way, I’m getting off topic. This is a groovy as hell blast from the past (11 years ago, WOW!) and I hope it gets you to revisit some of your favorite remixes.

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Listen: Wednesday Campanella – “Aladdin” [2017]

I somehow got put onto the eccentric pop stylings of Japanese group Wednesday Campanella. Led by magnetic personality KOM_I, their album Superman has been in constant rotation for me for the last month. I know a lot of folks dig ultra-crafty pop music that incorporates inventive electronic elements into it, and all of those folks should check this out ASAP. Lead single “Aladdin” (first song on the album if your track list is in Japanese) is a showcase for everything good about Superman. High energy, sounding totally unique and infectiously exciting. Like I said earlier – I have not been able to stop listening to this album. Check it out now.

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Playlist: Baile Brasil! – From Boogie to Bossa

Earlier this year, I started my slow dip into Brazilian funk, boogie, bossa and mpb. I’m not exactly sure what the spark was here, but it began with me checking out Tim Maia’s 1980 self-titled album, as well as Cassiano’s Cuban Soul – 18 Kilates in March. I couldn’t stop listening to them, with their oxymoronic heavy and lightweight grooves. Cassiano’s “Onda” specifically entranced me for most of this year, with its Marvin Gaye-like qualities and canned ocean sounds, there was no way I’d dislike it.

From there I slowly branched out. Gal Costa, Gilberto Gil, Jorge Ben Jor, Caetano Veloso all gracing my ears for the first time. I had listened to Milton Nascimento and Lô Borges before, but began growing a deeper appreciation for them. As the year progressed, more current music steered my interest away from continuing to discover new (old) Brazilian groups & singers. Then a rogue recommendation of Arthur Verocai’s self-titled record brought me right back in. I’m gonna make a non-controversial, widely-accepted opinion in that Arthur Verocai is a perfect album.

After seeing someone shazam a Verocai song at a bar and then talking to my friend about my skimmings of Brazilian funk and popular music, I decided I should just make a playlist. Not only for other people to listen to, but as a gateway to remind myself of great artists that undeniably deserve a deeper dive, and further listens from there. I’ve found (to no one’s surprise) that the world’s music nerds and DJs have long idolized Brazilian music, particularly funk, as some of the best in the world. I’m happy to finally get on the train and use my limited voice to help spread the world elsewhere, especially to folks that don’t really listen to much, let’s put it “non-white” music.

The following playlist is not sequenced in any way – I recommend either shuffling or listening straight through. I’m probably going to add more songs into it as I find them. This is more of a growing list of pristine Brazilian grooves to make you feel happy. That’s what it does for me – loosens the vice grips on my brain and allows me to waft free amongst plush strings, fat bass, tight drums, and incredible grooves. There’s SO much that isn’t on Spotify as well, so if you or I find anything that’s gotta be heard (much like Cuban Soul – 18 Kilates; not on streaming!) we gotta talk about it.

LISTEN TO BAILE BRASIL ON SPOTIFY HERE

Hit the jump for the track list:

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Playlist: Mauve Malaise – A Fading Desire

Long in the making, it’s not the fall playlist I anticipated, but the one I think we all need right now. The sun sets at 4:30pm, the sky rarely deviates from a hard slate grey, and the cold temperatures give us all the incentives we need to stay inside. In theory, we shouldn’t want anything that keeps us feeling sad. Au contraire – sometimes we need that extra layer of sadness to blanket upon our already building dirty-pile-of-laundry-on-the-bed type of malaise.

In this playlist I started off with a basic shoegaze formula, but then built upon that with some folk and slowcore. A few other tiny surprises, but for the most part this is for coming from the bed to work to the bed, to a weekend watching the sky stay the same color all day, and feeling too self conscious to leave your room. We’ve all been there! It’s 2019! Get with it! Full tracklisting and link to listen below.

LISTEN TO MAUVE MALAISE ON SPOTIFY HERE!

  1. Sweet Trip – “To All the Dancers of the World, A Round Form of Fantasy”
  2. My Bloody Valentine – “All I Need”
  3. Fleeting Joys – “The Breakup”
  4. Secret Shine – “Into The Ether”
  5. Sarah Louise – “Rime”
  6. Good Night & Good Morning – “Philadelphia”
  7. Julia Lucille – “Plot of Ground”
  8. Cross Record – “High Rise”
  9. Purple Pilgrims – “Ruinous Splendour (feat. Roy Montgomery)”
  10. Tamaryn – “Sandstone”
  11. Slowdive – “Souvlaki Space Station”
  12. Should – “Feels Like Morning”
  13. Swirlies – “Pancake”
  14. Astrobrite – “Hopefully”
  15. LSD and the Search for God – “Starshine”
  16. Fibril – “Declined”
  17. Roy Montgomery – “Landfall (feat. Liz Harris)”
  18. North Americans – “Grayling”
  19. The Microphones – “The Moon”
  20. Gia Margaret – “Smoke”
  21. Matchess – “Ossify Them”
  22. Benny Sings – “Dreamin’ (Sam Wilkes Remix)”
  23. Julee Cruise – “Falling”
  24. Yo La Tengo – “Saturday”
  25. Weyes Blood – “Lost In Dreams”
  26. Infinite Body – “Drive Dreams Away”
  27. Grouper – “Being Her Shadow”
  28. Slowdive – “Miranda”
  29. Cocteau Twins – “Throughout the Dark Months of April and May”
  30. Drowse – “Between Fence Posts”
  31. Steve Gunn & the Black Twig Pickers – “Seasonal Hire”
  32. Daniel Bachman – “And Now I Am Born To Die”
  33. Mazzy Star – “Five String Serenade”
  34. Nick Drake – “River Man”
  35. Flying Saucer Attack – “November Mist”
  36. Bowery Electric – “Empty Words”
  37. Bedhead – “Crushing”
  38. Codeine – “New Year’s”
  39. Duster – “Inside Out”
  40. Low – “Swingin'”
  41. Mojave 3 – “Love Songs on the Radio”
  42. Red House Painters – “Katy Song”
  43. Cigarettes After Sex – “K.”
  44. Hope Sandoval & The Warm Inventions – “Treasure”
  45. Colleen – “A flame my love, a frequency”
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Listen: The Galleria – “Stop & Go” [2019]

Bless anything Jessy Lanza touches. New single from The Galleria is a late-80s dance party you’re just now remembering.

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Recommended Albums: October 2019

This month was a doozy. We got some of the most anticipated records of the year from Angel Olsen, Anamanaguchi, Floating Points and Danny Brown, some surprise releases from Big Thief, Chromatics and Nick Cave & the Bad Seeds, along with some newcomers in Konradsen, Great Grandpa and Common Holly. All in all, fantastic stuff.

Anamanaguchi – [USA] [Polyvinyl]
The feeling when you gain the ability to quick travel in a video game and go back to worlds you’ve completed just to sightsee.

Angel Olsen – All Mirrors [Jagjaguwar]
Rose petals mingle in the wind of a dramatic snowstorm.

Big Thief – Two Hands [4AD]
Doing karate in the woods by yourself and a courier brings you a fruit basket.

Chromatics – Closer to Grey [Italians Do It Better]
A long zoom in starting from a view of a city skyline and ending on a person in a nondescript building that turns and looks at the camera.

Common Holly – When I say to you Black Lightning [Barsuk / Solitaire]
Watching a plane flying an oddly specific self-help message pass overhead in a pink and blue sky.

Danny Brown – uknowhatimsayin¿ [Warp]
Laughing so much you experience a psychedelic episode that lasts into your forties.

Floating Points – Crush [Ninja Tune]
Completing complex equations on a giant chalk board opens a gate to a secret dimension.

Great Grandpa – Four of Arrows [Double Double Whammy]
A familiar porch light on in the distance after a miles-long walk down country roads.

Konradsen – Saints and Sebastian Stories [Cascine]
The rosy heat radiating from cheeks after sitting next to a fireplace all night.

Nick Cave & The Bad Seeds – Ghosteen [Ghosteen Ltd.]
Weaving clouds into a glittering tapestry with slots for sunlight to shine through.

GR8 SONGS OF OCTOBER::

  • Anamanaguchi – “Air On Line”
  • Anamanaguchi – “The CRT Woods”
  • Angel Olsen – “Spring”
  • Anna Meredith – “Inhale Exhale”
  • Battles – “Fort Greene Park”
  • Big Thief – “Forgotten Eyes”
  • Big Thief – “Shoulders”
  • Big Thief – “Those Girls”
  • Blue Hawaii – “On a High”
  • Caroline Polachek – “Door”
  • Chromatics – “Whispers in the Hall”
  • Chromatics – “You’re No Good”
  • Common Holly – “Uuu”
  • Common Holly – “You Dance”
  • Danny Brown – “Belly of the Best (feat. Obongjayar)”
  • Danny Brown – “Savage Nomad”
  • Destroyer – “Crimson Tide”
  • Floating Points – “Anasickmodular”
  • Floating Points – “Bias”
  • Floating Points – “Environments”
  • Frances Quinlan – “Rare Thing”
  • Great Grandpa – “Bloom”
  • Great Grandpa – “Dark Green Water”
  • Kim Gordon – “Paprika Pony”
  • Konradsen – “Roasted”
  • Nick Cave & The Bad Seeds – “Galleon Ship”
  • Squirrel Flower – “Red Shoulder”
  • TORRES – “Good Scare”
  • Yeule – “Poison Arrow”
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Combing Thru 10s #1: Les Filles de Illighadad – “Jori” [2017]

As I progress through records I need to listen to for the first time or through those I need to revisit in time to release my Top 200 Albums of the 2010s list, I’ve found the need to post about certain releases that aren’t getting the shine I think they deserve from similar outlets’ decade-recapping lists. This should be obvious: even in a standard year, most sites (including my own) share only 50 albums that year had to offer. So much in the wings, left to decay there until music nerds like me come and rediscover them, or to be celebrated in selective anonymity by their core fanbases. I hope to make a place for them in history in this series as I comb through the 2010s.

So for my first entry chronicling my journey through this magical decade, I’m highlighting an appropriately magical record, Les Filles de Illighadad’s Eghass Malan, released in 2017 via Sahel Sounds. The Nigerien trio’s debut album carries on the tradition of all the best Tuareg guitar albums: being hypnotic and truly unlike any other music out there. Tuareg guitar is a style of folk & rock out of Northern Africa, usually attached to a political message of nomadic rebels. When you first hear a rock group from the Sahara, you know it within the first few passages. The drone-like guitar, the polyphonic vocals, the simple percussion – it’s infectious and groovy unlike anything else.

In the 10s, a spotlight was thankfully shone upon the wellspring of massively talented musicians from Northern Africa like Bombino, Mdou Moctar, Imarhan and Tinariwen, helping the genre bridge over to America and establish legions of dedicated fans, usually leading to being hot ticket items at summer park festivals in metropolitan areas. It’s worth mentioning the group’s leader, Fatou Seidi Ghali is one of, if not the first female Tuareg guitar player, breaking the mold in a genre dominated by men.

Les Filles de Illighadad is the least traditionally “rock” out of the group mentioned here (Bombino has had production assistance from Dan Auerbach of The Black Keys, for instance), but flourishes in the simplicity of its elements and its structure. Only guitar, hand-percussion, handclaps and the layering of the trio’s vocals comprise these tracks that rarely break out of its hypnotic groove, happy to entrance the listener with these few elements. “Jori”, the track I’m posting here, has one of the best vocal lines on the album, with Fatou going into her higher register among the polyphonic backing of the other two members’ voices, while an acoustic guitar loop with marching percussion that early Animal Collective would have killed for plays underneath.

Like I mentioned earlier, Tuareg groups are definitely one of the western world’s favorite genres of “international” music so it’s not like this band is completely forgotten, but I implore any indie or psychedelic rock fan unfamiliar with Tuareg guitar or any “desert blues” from the Sahara to check out Les Filles de Illighadad. It is absolutely worth your time and worth a spot in your 10s library. Expect more music from the desert to show up in this series of Combing Thru 10s.

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Listen: Lapalux – “Limb To Limb (feat. Lilia)” [2019]

I’ve been following Lapalux for what seems like nearly a decade now and to my surprise, he just released an album today, Amnioverse, via Brainfeeder. The immediate standout track is this, “Limb To Limb” featuring frequent collaborator Lilia. Probably the most straightforward, “radio-friendly” track on the record; with a steady breakbeat, a ghostly choir in the background and great, slightly-manipulated vocals from Lilia. The emotional climax is in the last fourth of the track, with tons of polyrhythms and volleys of bass rocketing in and layering on top of each other. The whole record is loaded with mind-bending sounds and moments – something that would benefit from being played on a really nice sound system. Even if you don’t have that, listen to Amnioverse when you get a chance.

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