New Video: M.I.A. – “Bad Girls”

It’s an all sorts of badass kind of morning!

First we had the Neon Indian video now this? Excellent. Well, this video is as badass as the song “Bad Girls,” and it features sort of dance numbers. The reason I say “sort of” is because the dancers are cars. Drifting everywhere, driving on their sides, people hanging out of the cars onto the streets. WOW. This thing is so cool, such a good job editing this thing. WATCH IT BELOW, or be seriously disappointed with your life by not watching the video.

AWWWW YEAAAAHHHH

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New: Julia Holter – “In the Same Room”

Crazy stuff today!

This really sets high expectations off on the crazy yet genius meter of the year. What we have here is a track from Julia Holter, a solo act that has plenty of classical voice training under her belt as well as a knack for creating lush, electronic soundscapes to house her pristine voice. This one isn’t as off the wall as some of her others, but it’s still a damn fine song. Sweet as sugar vocals with icy, yet inviting, textures all around it. Delectable indeed. Check it out below!

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New: Deerhunter – “Curve”

It’s always a good day when the first thing I see online is having to do with Deerhunter. They have a new song out for Blonde Redhead’s Japan benefit compilation, We are the Works in Progress. Even though the track is instrumental and doesn’t feature Bradford Cox’s vocals, it’s still a nice, ambient buildup that pays off in the end. But seriously though, it could use some Cox up in here. That would make it.

Stream over at Pitchfork now

Have a nice day!

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BEST OF JANUARY

SO:

I decided to collect all the songs that I freaked out about in the month of January and I’m gonna put it on here. WOO. Check these bangers out!!!

NOTE: This post is MASSIVE. Take it in DOSES.

Continue reading

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New & Radical!: John Talabot – “Destiny (feat. Pional)”

I featured John Talabot last year on the old blog with his song “Families” that featured Cameron Meisrow, AKA Glasser, a favorite of 2010 with her LP Rings. This tune is great and builds like an electronic construction site (PFFTCCHHH sorry I’ve already written four blog posts today) and features an excellent, tasty bassline. This really reminds me of 2006/7-era electro pop, which was an excellent time period for my electronic loving ears. Brilliant sound really bubbles up and out from beneath the layers that the song lays down ending in a jacuzzi-like setting of warm, pulsating jets of synth noise, bubbling up with buoyant basslines. Awesome. You can get “fIN” on iTunes and Amazon MP3 now, but the physical copy comes out on February 7th.

Yeah Jacuzzis!

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New MP3: oOoOO – “NoWayBack (feat. Butterclock)”

My favorite band name to tell my friends about, oOoOO, is back with a new witch house jam. It’s not as intrusive as some of the previous witch house songs I’ve heard in my day, so it’s still accessible to electronic music fans alike. It’s light and airy like a powdered doughnut, but it’s spooky, like good witch house, as well. Haunted powdered doughnuts all around. Download this doughnut HERE

Have a doughnut today! They’re delicious! Or some kind of pastry. You deserve it.

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Download: Evian Christ’s Mixtape – “Kings and Them”

Evian Christ kicked off 2012 with a bang with his song “Thrown Like Jacks” which samples one of my favorite artists from last year, Grouper, by taking her ethereal drones and adding rave like beats to it, turning a once-unsettling, low key song into a potential warehouse club banger. The UK producer now has a whole mixtape of his available for download in high quality, so I highly recommend checking that out! FREE MUSIC! WOO!

Download the mixtape HERE

Aw yeah free music yeah

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New: Daniel Rossen – “Silent Song”

Grizzly Bear/Department of Eagles frontman Daniel Rossen is releasing a solo EP this year entitled Silent Hour/Golden Mile along with hopefully another Grizzly Bear LP. Previously, we had heard the great song “Saint Nothing” and now we have “Silent Song” which features more instrumentation than the former. Got me really pumped for this EP, dude! Listen to “Silent Song” below.

WOO!

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Stream: A Place to Bury Strangers’ “Onwards to the Wall”

New York ear-splitters are back again with their new EP, Onwards to the Wall, which features the same aPtBS sound as usual: sharp like nails guitars; extremely energetic drum work; reverbed, echoing vocals and BUCKETFULS of distortion. Honestly, you could build a castle with the amount of radical feedback and distorted sounds they create on this thing. I wouldn’t have it any other way, of course. Stream this sucker at Hype Machine. You can get it on February 7th.

Have a great day!
Also, it feels like April here at the University. Feels good man!

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Radical Album: The Caretaker – “Patience (After Sebald)”

It’s a dreary, rainy day: perfect for me to review this hazy thing.

Last time we heard Leyland Kirby, or The Caretaker as he is known by many, he was distorting our minds by placing them into haunted mansions and getting surrounded by dust, ghosts of the bourgeoisie and crackly records. Another account on what the album sounded like was an old, decaying person suffering from Alzheimer’s trying to rekindle their youthful spirit within themselves by playing a favorite record of theirs from childhood, but failing to rekindle the spark. This ultimately leads to them wandering through a fog in their own minds. This was on “An Empty Bliss Beyond this World,” which should have been on my Top 50 albums of 2011, but I forgot about it. I can always make another list.

Anyways, this album, “Patience (After Sebald) is a soundtrack to a film about the dead writer W.G. Sebald, directed by Grant Gee. This doesn’t really feel like a film soundtrack, since it sounds a lot like The Caretaker’s last outing, “Empty Bliss” since it’s loaded with crackles, distortion, lonely piano lines and the feeling of your mind slowly deteriorating. Not to say this thing is a bad thing- your mind isn’t really deteriorating. The album just puts you into a mindset that transports you to another realm.

This album, I’d like to think, takes place in the same universe that the last one left off in. The person listening to the record, trying to rekindle the energy of their youth. This starts off in the same person, but the character is in much worse shape. Their mental state is almost completely gone and the conscious state of the character is left to sift around in the crumbling wreckage of what once was a beautiful mind. Such a sad image, isn’t it? This is a sad album. Not really a sad album, but one you wouldn’t put on at a Superbowl Party. This features all the ambient textures that were included in the last album, but they are more fragmented and spaced apart by white noise and other ominous echoes. It’s an extremely immersive experience that has me gawking at the ability of this dude’s music making abilities.

The whole album is a dark journey you have to take with this character, shuffling through old memories and having them slowly fade away into oblivion. The last track is up for discussion on what it means, but I have my definite hypothesis on what happens. Also, this is just my interpretation of music. If you have different thoughts about the album or maybe no reaction at all, let me know. Either way, this album is one heck of a trip; placing you in a crumbling landscape of memories. I recommend this definitely.

SCORE: 84/100

REC’D TRACKS: This album is a whole-album listening experience. If you get single songs, the impact will be lessened. But hey, do whatever kids.
“When the Dog Days Were Drawing to an End,” “I Have Become Almost Invisible, to Some Extent like a Dead Man,” “No One Knows What Shadowy Memories Haunt Them to this Day” and “Increasingly Absorbed in His Own World.”

Have a non-deteriorating day!

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