2010s Retrospective: 10 Years of Discoveries, Obsessions and True Moments

Well folks, welcome to my most indulgent, most confessional, most self-referential and truly most vain post on the blog. This is probably playing it up, but I’ve written a lot about myself on here. The dang header image is literally just pictures of me from the last 10 years layered on top of one another. There is nothing else except for pictures of me up there. What the hell. This post is by far the most personal writing I’ve ever done, so be warned that you’re gonna catch some of my real feelings getting through this, some of which are very dark, dealing with anxiety and depression. Watch out.

In short, this is a 2010s Retrospective. 500 songs that impacted my life as it happened in the 2010s, organized in chronological order. The first song that made a crater in my brain on Jan. 1, 2010 to the last song that left me spinning on Dec. 31, 2019.

Since 2014, I’ve accumulated playlists of songs throughout the year that made an impact on me. I then publish them at the top of the following year and include listening statistics and all that stuff. Real nerd things. The reason I do this is for one I’m obsessed with cataloging everything I do, and for two it’s fun to look back and definitively see when I discovered a favorite artist, when I was obsessed with a certain song or when something soundtracked a pivotal life moment. I’m constantly listening to music. The days where I don’t listen to a single song are rare. Life moments will easily overlap with a song I happen to be listening to. So if I wanted to immerse myself in how I was feeling at a particular time in a certain year, I could do that in a way by listening to the playlists. I’m also afraid to forget about things. Music comes out at such a fast rate these days I’ll just completely forget about a record I loved a few months after its release.

Because I started this in 2014, I had to go back and piece together playlists for 2010 – 2013. Once that was done, I decided to try and stitch together some kind of virtual quilt out of the 10 years of playlists, tracing a lineage of not only the development of my musical taste, but my personal growth as well. That’s what you’re reading here. The decade was a snapshot of some pivotal moments in my life: two graduations, two big moves, one rock-solid relationship, many friendships, getting hired, getting laid off, deaths in the family, political turmoil, personal anguish, celebration, euphoria, humor, pain, anxiety, love and more. For each of these songs, I tried my best to paint a picture of why that song is one of the 500 that impacted my decade. Some are just “this song is good, I listened to it a lot”, whereas others are much, much deeper and specific. This is very on-brand for me. Always oversharing and hyper-analyzing my own life.

For example, putting on one song will remind me of a time I went to Washington Square Park to read, but got interrupted suddenly by a sun shower causing myself and other park-goers to gather under trees while a jazz band played on a few feet away, unbothered. Another song will remind me of a specific bus ride I took from Philadelphia to NYC where my seat was broken. One will illuminate that I was reading Our Band Could Be Your Life during that season. A few demonstrate that I was very depressed. A few will show that I got better. A few will show how obsessed I was with Prefab Sprout at the end of the decade. It’s the theater of it all and unfortunately I’m the main character for the whole thing.

Unless I do a favorite live shows of the 2010s post, this will be my final collective post about the decade. The 20s have already given us enough impactful moments that it makes the 10s feel like a speck of dust. But it was fun to relive some of the “olden days”, especially now. Kind of like watching myself grow up. You can even click the individual header images for each year to bring you to that year’s individualized Retrospective post. That’s a lot of words though. Thanks for reading regardless.

Lastly, I made a Spotify playlist which unfortunately only has 470 of the 500 songs I listed here, but it’s something you can listen along to if you’re interested – find it after the jump. If the song is not on the playlist, it likely exists somewhere else on the internet.

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Listen: They Hate Change & Fire-Toolz – “Scene!” [2021]

Oh man – exciting, genre-breaking labels Hausu Mountain and Deathbomb Arc have come together in a fusion dance like freakin jetsetting experimental music super saiyans on an upcoming project, Arc Mountain, combining artists on their rosters for a collab album with all profits going to the Last Prisoner Project: www.lastprisonerproject.org.

The first taste we’ve got from the album features blog favorites They Hate Change and wildly productive and forward-thinking producer & composer Fire-Toolz. Both these artists’ music is chaotic on their own, so these two tornadoes of terror working together is a perfect storm of anxiety-rippling, breakneck experimental electronic hip hop. Whatever you want to call it. It’s wild. Can’t wait to hear what else the comp has in store for us.

Arc Mountain is out May 7 via Hausu Mountain and Deathbomb Arc. Pre-order HERE.

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Listen: Daniel Bachman – “Coronach” [2021]

Hang onto your guitar straps cause there’s a new Daniel Bachman album Axacan coming May 7 via Three Lobed Records!!

If you’ve been reading the blog for a while, hopefully you’re familiar with Bachman’s work. While his earlier 10s output was more straightforward American Primitive style acoustic guitar playing, albeit with rather lo-fi recording quality, in 2015 his album River really marked a new direction for him, adding in elements of quiet introspection, emotional dynamics and zen-like noise meditations. Bachman then level-upped with his 2018 album The Morning Star, a record that fully embraced a new experimental sound with plenty of field recordings to amp up the overall atmosphere of each piece, but also added a new sonic depth that normal instruments can’t achieve. I loved it.

Axacan definitely builds on what Bachman has built over the last half decade and it might be my favorite thing he’s done yet. It’s a somber meditation on the last year, with the first single “Coronach” being directly about western society’s failings on dealing with COVID and the ache of loss we’ve all felt over the last 365+ days. The rest of the record continues a similar bleak path, dark and dirge-like interspersed with unsettling field recordings of construction, static AM radio interference, and more uncanny noise. It’s American folk music haunted by ghosts of the past, present and future. Pretty spooky. But oh so good.

Again – Axacan comes out May 7 via Three Lobed. Pre-order the record HERE.

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Listen: Carlos Niño & Friends – “Pleasewakeupalittlefaster, Please… (with Jamael Dean)” [2021]

Over the last two years I’ve come to respect or worship pretty much everything Chicago label International Anthem puts out. The Resavoir record from 2019 especially hits for me, but they’ve got plenty of heat on the catalog. Most of it jazz, or as Christian Scott aTunde Adjuah would say, creative improvised music.

One record I’ve been lucky enough to hear a little early is the upcoming Carlos Niño & Friends record, More Energy Fields, Current, coming May 7 via International Anthem. It’s a perfect record to populate the space of a room, letting the gentle sounds of piano, saxophone, electronics and percussion percolate in your consciousness. I’m definitely picking up the vinyl before it’s gone forever. It carries a lush energy – a spiritual kind of music that works for the 21st century and beyond. This first track out from the album is the opener, setting the scene for tracks that feature artists like Dntel (a fav of the blog), Sam Gendel, Nate Mercereau and more. It’s a special record, let me tell you that. Make sure to listen above and get those pre-orders on.

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Listen: Giant Claw – “Disworld (feat. NTsKi)” [2021]

Red alert! There’s a new Giant Claw record on the horizon! If you’re unfamiliar, Giant Claw AKA Keith Rankin is in my mind one of the best and brightest minds in experimental music today, and his instantly recognizable art has been seen on many album covers over the past half decade. Just wonderful stuff.

Another thing – you can never tell what a full Giant Claw record will sound like from one song. This first single is a good indication of potentially the overall atmosphere of the record, but I cannot wait to hear what other tricks and treats he has in his bag.

Mirror Guide will be out on May 14 via Orange Milk Records. Pre-order HERE.

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Listen: Hildegard – “Jour 2” [2021]

Probably my most listened-to song of 2021 so far is “Jour 2” by Hildegard, a new superduo of Helena Deland and ouri. Even the video is great! A mixture of distant future + old fashioned styles.

The song itself though. WOOF. A hypnotic, low-thumping beat with ghostly detached vocals floating around the soundstage. Gives me major Tirzah or Smerz vibes, which is A++ for me.

Let’s hope for more music from the duo this year!

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Recommended Albums: February 2021

I had a bit of difficulty picking 10 records to feature for February 2021. Not because there was a dearth in good music – more the opposite. Lots of high-profile indie releases finally hitting, as well as majorly-hyped newcomers cutting into the scene with impactful new albums. My current reigning AOTY from Black Country, New Road came out, Cassandra Jenkins, Katy Kirby and Brijean all made fantastic records I listen to on the regular, and the rest listed here are fantastic as well. Don’t miss them.

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Listen: John Andrews & The Yawns – “New California Blue” [2021]

Out today, “New California Blue” is the first single off the upcoming John Andrews & The Yawns album Cookbook, coming May 14 via Woodsist. 

If you’re unfamiliar with John Andrews directly, you’re likely familiar with projects he’s been involved with in the past, like Hand Habits and Woods. Cookbook is his third album under the ‘& The Yawns’ name, the previous two LPs also via Woodsist. This new song itself is dedicated to none other than Joni Mitchell, as her music was particularly inspiring to Andrews for a hectic stretch of time in his life. That’s something I respect and can get behind. Sonically, it’s got an old-time charm, radiating with warmth; from the nostalgic piano, to the cool keys, to the echoing brush-played drums, finally to Andrews mellow falsetto drifting across the instrumental landscape like the puffiest cloud in a clear, blue sky. It’s even got some flute in there. If you know me in person and have heard me rave about the “Essential Oil Dimension”… this definitely earns its spot in that alternate universe.

On the album’s bio, written by Andrews’ mom, she likens the album to whatever was playing in that classic “dogs playing poker” painting. You know the one. And she’s pretty on point. The album is like a 70s cartoon. It’s homey, it’s kitschy, it’s whimsical, and it’s comforting. It’s a glass Garfield mug. I know we’ve all been spending A LOT of time at home, but maybe this might transport you to a home different than yours – a real old-timey spot where you’ll walk in and your cheeks will flush from the dry heat + wool socks. Come on home. Open the heavy door. Close it with its satisfying latch, and sit in a big old chair with a lace woolen pattern laid atop the back.

Cookbook comes out May 14 via Woodsist – you can pre-order it HERE.

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10 Best Songs: St. Vincent

I noticed St. Vincent has some new music coming in the coming days, so to stay timely I thought I’d cobble together my favorite St. V tracks to celebrate.

If you’re unfamiliar, St. Vincent is the artist’s name for Annie Clark, a rip-roaring guitar wizard and uncanny sonic chemist. The records she creates and produces all seem to exist in the same bizarro universe, with plenty of sounds and tones that would be aligned with some sort of “modern, post-consumer paradise”, but eschews them in a way to show the cracks forming in the utopia’s foundation. Like previously mentioned, her nimble guitar work is seriously something to marvel at, and you can see it in the first video I posted below. She’s a machine that attempts to be human – a very convincing one at that.

St. Vincent was one of the first “indie” artists I started listening to back in 2009 with the release of her sophomore album Actor, whose cover instantly grabbed me as something to check out. At the time I was only dabbling in the dark underground arts known as “indie rock”, with playlists made up of Andrew Bird, Florence + The Machine, Passion Pit, and other free mp3 downloads offered at the time. St. Vincent still stood out from the pack and her 2011 album Strange Mercy was one of my most-anticipated before its release. It turned out to be my favorite record of that year – go figure. Her follow-up albums, St. Vincent and MASSEDUCTION have been good, but haven’t held my attention the way Actor and Strange Mercy have. It’s been really engaging to watch her sound and career develop over the last 10+ years and I’m incredibly happy she’s seen the success she has. Who knows – maybe this upcoming record will be my new favorite?

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Listen: Erika de Casier – “Drama” [2021]

Erika de Casier is BACK with her second single for new label home 4AD, which continues her so far perfect streak of tunes to her name. It’s another late night, late 90s/early 00s slick pop swoon, harkening back to Timbaland-produced heaven. It’s immaculately produced and de Casier’s vocals + lyrics are on point as always.

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