Recommended Albums: June 2020

In June’s edition of Recommended Albums, we’re featuring a multiple releases that were incredibly well-timed for this moment. SAULT, Space Afrika and Armand Hammer all confront and synthesize the waves of unrest and pain the country, specifically Black folk, are and have been feeling for hundreds of years. Westerman and Bibio provide a balm of sorts to heal a weary heart, and everything else offers great entertainment. It was hard to pick just 10 records this month. Extra shout out to projects from Gum Country, Skee Mask and Quin Kirchner.

Also wanted to shout out the image I made for this month, the last picture I took out of my Brooklyn apartment window before I moved. I wrote the majority of these Recommended Albums posts from this room and have absolutely featured the view out of it in header images before. One last psychedelic hoorah for Himrod Street. Thanks for reading.

Armand Hammer – Shrines [Backwoodz Studios]
Digital distortion-covered footage of a forced smile, broadcasted on a LCD TV hanging loosely over a borough street.

Bibio – Sleep On The Wing [Warp]
Finding super 8 film footage of your older relatives as their younger selves at outdoor summer parties and gatherings, basking in the innocence of the time.

Hum – Inlet [Earth Analog]
A massive temple rising out of the sand on a distant planet not dissimilar to our own.

Jessie Ware – What’s Your Pleasure? [PMR / Virgin EMI]
A roller rink disco fantasy of your dreams, sweat cooled by a swiveling fan each circuit.

Jockstrap – Wicked City [Warp]
Dorothy from The Wizard of Oz attempts to return home but accidentally warps herself to a post-apocalyptic future and is celebrated by a cult of Wizard of Oz film fanatics.

Kate NV – Room For The Moon [RVNG Intl.]
Innocuously tuning into a late night public access one-person theatre production complete with puppets, costume changes, magic tricks, a planetarium backdrop, velvet curtains and in-camera editing.

Pottery – Welcome To Bobby’s Motel [Partisan]
Couch surfing on a wave of trash on the hottest night of the year down a busy city avenue.

SAULT – UNTITLED (Black Is) [Forever Living Originals]
An unending, unyielding, unbreakable, unstoppable, inspirational, beautiful, foundational force that pushes gloriously forward against madness and injustice.

Space Afrika – hybtwibt? [Self-Released]
Synthesizing repressed and difficult memories with everyday ambient noise into a dreamlike tapestry, warping and distorting around you depending on your mood.

Westerman – Your Hero Is Not Dead [Partisan]
Swimming down a river at sunrise scented with pleasing, balmy fragrances.

GR8 SONGS OF JUNE 2020:

  • Arca – “Watch (feat. Shygirl)”
  • Armand Hammer – “Frida (feat. Quelle Chris & FIELDED)”
  • Armand Hammer – “Pommelhorse (feat. Curly Castro)”
  • Bibio – “Oakmoss”
  • Braids – “Young Buck”
  • Country Westerns – “It’s Not Easy”
  • Daniel Avery – “Darlinnn”
  • Fontaines D.C. – “Televised Mind”
  • Gum Country – “Brain Song”
  • Gum Country – “Tennis (I Feel Okay)”
  • Hum – “The Summoning”
  • Hum – “Waves”
  • Jessie Ware – “Adore You”
  • Jessie Ware – “Read My Lips”
  • Jessie Ware – “Soul Control”
  • Jockstrap – “Acid”
  • Jockstrap – “City Hell”
  • Jockstrap – “Robert (feat. Injury Reserve)”
  • Jonah Yano – “delicate”
  • Julianna Barwick – “In Light (feat. Jonsí)”
  • Kate NV – “Ça Commence Par”
  • Kate NV – “Sayonara (Full Moon Version)
  • Noname – “Song 33”
  • 박혜진 Park Hye Jin – “Like this”
  • Pottery – “Bobby’s Forecast”
  • Pottery – “Hot Heater”
  • Pottery – “Texas Drums Pt. I & II”
  • Quin Kirchner – “Jupiter Moon”
  • Run The Jewels – “out of sight (feat. 2 Chainz)”
  • SAULT – “Eternal Life”
  • SAULT – “Sorry Ain’t Enough”
  • SAULT – “Why We Cry Why We Die”
  • SAULT – “Wildfires”
  • Skee Mask – “Zzodiac”
  • Space Afrika – “oh baby”
  • Terrace Martin – “Pig Feet (feat. Kamasi Washington, G Perico, Daylyt & Denzel Curry)”
  • Westerman – “Confirmation (SSBD)”
  • Westerman – “Easy Money”
  • Westerman – “The Line”
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Listen: Bibio – “Sleep On The Wing” [2020]

I’ve been following Bibio for nearly 10 years now and it brings me such joy that his music is not only constantly evolving and taking new forms, but retaining me as a steady fan throughout. From his groovy psychedelic funk, to Boards of Canada worship, to steady piano-based ambient, to lush folk, Bibio has maintained a signature voice. This new LP/EP of his Sleep On The Wing arrives quickly after his last record Ribbons, which hinted at the material we’d find here, which is pretty straight-up instrumental folk with an emphasis on violin melodies and dense, finger-picked guitar. It somehow sounds like the human voice has merged with nature’s, or calling forward to a time in nature where humanity is merely an echo in nature’s existence. Pieces of media that come to mind while listening: Pikmin games, the manga Yokohama Kaidashi Kikou, the animated mini-series Over The Garden Wall, and certain parts of the video game Oxenfree.

“Oakmoss” is another favorite off this record (and the only other song on the record with vocals), but the title track / first single is just a majestic tune. It reminds me of fiddle music that I played as a youth, with the mandolin and violin double-teaming a melody that mirrors that of a rising and descending bird, along with the guitar and cello providing a solid backdrop. A classic Bibio flute-tone keyboard comes in as well. It’s gorgeous, aerial, summery music, somehow striking nostalgic flavors of the past while keeping itself current. The whole project is quick and very much worth your time.

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Recommended Albums: May 2020

Not much to say here folks. Continue seeking out and listening to black and other POC artists, even when they’re not delivered to you from your favorite sources. I’m definitely going to be out on the hunt. In the meantime, please keep reading about how you can impact your community, root out racists in your life (and in your mind), read about how fucked our entire economic framework is, mass incarceration, the whole nine. I recommend it.

Read more to find my 10 favorite records from May 2020, including pop royalty, some fantastic hip hop, Middle Eastern disco jams, bleary funk and more.

Continue reading

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Listen: TootArd – “Moonlight” [2020]

It’s tough to post about anything besides protests, defunding the police, psychotic police brutality, Black Lives Matter, radical injustices and the like – and you should KEEP posting about all of that until things become fixed. That might take a while – who cares! We care!

However, I’ve still been digging into plenty of music, including the new album from TootArd, a Golan Heights-born, Israel & Switzerland-based duo making synth powered dance music reminiscent of Middle Eastern disco & reggae club music from the 1980s. The new record Migrant Birds is out now via Glitterbeat, and I cannot recommend it enough. I’ve been digging into a lot of my backlog during this time, which is mostly records I’ve found in “rare groove” forums and the like, and this feels like a modern “rare world groove” record. Something that you’d find on YouTube with like under 5,000 views or in a bin you’ve never looked through at your favorite record store. That’s obviously my western bias thinking this is some sort of rare, exotic thing, but I can absolutely confirm you should listen regardless.

The melodies are fantastic, the instrumentation is top notch, and the whole thing is just fabulous. I gotta check out their debut record, but I just can’t stop listening to Migrant Birds right now. If you’re looking for some non-western dance music that might breathe some new life into your stress-fatigued corpse.

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Listen: Ann Steel – “My Time” [1979]

I’m continuing to plow through my backlog of releases I’ve collected in my library and boy howdy I’ve struck another gem. Ann Steel is the project of Ann Steel and Italian composer Robert Cacciapaglia, an early electronic pop project that completely blew my brains after multiple listens last night. It’s incredibly “brainy”, with Ann Steel singing clean and pristine lyrics about science, technology and hanging out with geniuses in lavish landmarks. All this happening with quaint, chunky electronics bent and structured to sound like pop music. My first thought was obviously Kraftwerk and all of Yellow Magic Orchestra’s production on fellow Japanese pop stars in the early 80s.

I chose “My Time” to feature because it is just SO catchy and has an amazing chorus melody. Again, it reminds me of Miharu Koshi’s Parallelisme 1984 album, which was produced by YMO’s Haruomi Hosono. There’s also a video of her performing the song on some kind of old Italian soul train (why don’t we have shows like this anymore, quarantine aside?). It’s got a great groove, and Steel really sings like an android (and dresses in a uniform like some kind of engineer). It’s so sick. I love this so much.

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Listen: Bruno Pernadas – “Spaceway 70” [2016]

On this blog I have gone on record to say that 2016 was my least favorite year, musically and in general, of the last decade. 2019 really gave it a run for its money, but man – 2016 was a doozy across the board.

However, the beauty of the internet and general music nerd sniffing is that sometimes I find little buried gems from maligned years that I missed. Other times, things have been beaten over my head in recommendations. The Bruno Pernadas record Those Who Throw Objects at the Crocodiles Will Be Asked to Retrieve Them is an example of the latter. I had a few folks REALLY pushing me on this one and I’m very grateful for that.

Bruno Pernadas is a Brazilian composer and musician making some HOT funk tunes. I haven’t checked out his previous works, but Those Who Throw has been on pretty constant rotation throughout this year. It takes tones from all over the funk spectrum, obviously dipping into classic Brazilian sounds and rhythms, but also some Turkish, Persian and more. It really feels like a multi-colored tiki bar while listening. It’s wonderful!

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Listen: Nation of Language – “The Wall & I” [2020]

You know I love a good album closer. Who wouldn’t? It’s the last taste that’s left in your mouth after digesting a body of work. If you’ve got a stale closer, then it’s gonna taint the whole rest of the album. In the case of Nation Of Language’s debut album, Introduction, Presence, they close things off so magnificently with “The Wall & I”. It touches on clear references in New Order, Depeche Mode and LCD Soundsystem (“All My Friends” especially in some parts), but it absolutely feels like it’s own thing and a CURRENT one as well. It’s got a great beat, a simple & satisfying synth progression, the vocals are well-panned and sound big without overwhelming the track and additional instrumentation naturally folds its way into the background, increasing depth and the listener’s investment in the track. This is the kind of song that makes me want to replay the album. Good job, Nation of Language. And yes, Cancel Rent!

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Listen: Jayda G – “Both Of Us” [2020]

Absolutely losing my mind to this tune. Jayda put herself on my map with her awesome Significant Changes LP from last year, and now she has a new EP coming later in July, also on Ninja Tune. This first song “Both Of Us” is a song that I know I’d be blasting on my commutes and in the park this summer, but since this summer is gonna be more inwardly focused, I’m playing the snot out of it in my room. Again, I don’t club, but if I went out this is a song I’d want to hear. It is just pure fun, even at my eighth listen of the day.

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Listen: Larry Young – “Khalid Of Space Part Two (Welcome)” [1973]

Intensely psychedelic free jazz from Larry Young’s Lawrence of Newark album independently released in 1973 and not-so-secretly featuring Pharaoh Sanders on tenor saxophone. The whole record is great, but this song in particular blew me away. It just keeps getting better and better. Totally overwhelming, but also somehow digestible if you’re keeping a steady ear.

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Listen: Olivier Rogg – “M7” [1988]

Got some more rare groove for you this morning. Enter Olivier Rogg, experimental Swiss midi composer and his record Variations Sur GE/CH. I honesty can’t find much on the record aside from the label it was released on Mega Wave Orchestra, a small label or series ran by a Swiss art gallery in 1988.

The record as a whole has some pretty lovely grooves, but this song in question, “M7”, is likely my favorite. It’s got some great midi-tone mallet percussion, plus some great punchy keys, triangle, complex clarinet and “Moments In Love”-like impacts of sound. In terms of modern comparisons, the Nonlocal Forecast record from last year reminds me of it in a way, mostly just through its use of midi and complex melodies. All in all, it made me smile, so I knew I had to share here.

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