Posting this mid-day on a Wednesday as a kind of energy shot – you can get through this!
Posting this mid-day on a Wednesday as a kind of energy shot – you can get through this!
Strap in for a bristling psych rock odyssey straight outta Perth, notorious birthplace for the most popular “psych” band on the planet, Tame Impala. The guitars come hot and heavy on this track, so get yourself hyped for more music from the PPC this year.
Been really into this Parisian band Marble Arch, who just released an album Children Of The Slump via GÉOGRAPHIE. They pull sounds from early-era Captured Tracks bands like Craft Spells and Beach Fossils, complete with jangly guitars, a mix of drum machine & live drumming, woozy synths and hazy vocals. There have been a lot of bands like this in the past decade, but for some reason these guys really hook me in. They know how to write a good hook, I guess! If you’re into dream pop circa 2010-2013, you’re gonna love this.
After battling through dehydration-like symptoms and a following phlegm-based sickness, I’ve finally completed my full recap of all 48 bands (51 total performances) I saw at SXSW 2019. It’s a new record for me in terms of “content consumed”, which is pretty stunning considering I missed an entire day. Still feeling regret and FOMO from that day – I was on deck to see Marked Men, Say Sue Me, Penelope Isles and more. What a rip-off. Personal highlights below include CHAI, KOKOKO!, Injury Reserve and more. Check it out, sorta-complete with pictures that really got messed up in the transition over to the site. Hell yeah.
Finally seeing one of my musical idols at a place like this was pretty surreal. Although he didn’t play any classics, his new material still sounds incredible live and his band was tight along with him. Excited to see him potentially two or three more times this year!
The sound was a bit wonky, but this was really inventive, experimental pop. Need to listen to more of her recorded material. There are probably pics of me at this show, lookin like a true blue goofus.
– @ Cheer Up Charlie’s Inside – 3/14/19
My first full set experience at this year’s SXSW was a doozy. It was a bummer to have seen this set outside, since the immaculate togetherness of the band kind of oozed up into the air without fully socking the audience in the mouth. Insanely talented.
My second time seeing them in a week, they are so fun live! All of their label folks were dancing in front, very cute.
– @ Hotel Vegas Outside 3/13/19 (HIGHLIGHT!)
Hoo-wee, very happy I saw them. Shabaka the sax player is a force of nature, so combined with the awesome natural keyboard player & drummer, there’s a lot of powerful currents in the air here. Go see this band live if you can!
Don’t think I’ve ever seen a group with no bassist but two synths. Couldn’t tell if the sound was really bad or I just couldn’t understand what was going on, but I was feeling it either way.
After being turned away from seeing them nearly three times, I finally got the chance and boy howdy, they’re dang good. I saw them the week previous in NYC (charming lads) but seeing a group of SXSW-goers (radio DJs, programmers, industry folk) react to their incendiary Irish rock was cool to see. Big things on the way for FDC!
So happy I got to see these guys. They commanded the crowd of mostly youngin’s and again proved that they’re an up and coming group that people should be messing with right now. So many mosh pits. Also, really great guys! Had the chance to meet them after the show and they’re real cool.
My first time seeing Jerry & The Papers was a damn good one. Had no idea his band was SO GOOD. Not to discount the man himself, who carried himself with poise and grace, and a bit of Kyle Mooney awkwardness thrown in. It all translated perfectly onstage and everyone (who was down w/ the Paper) was having a groovy blast.
– @ Cheer Up Charlie’s Outside – 3/14/19 (HIGHLIGHT!)
Chill, dude. Chillllllll.
Oh wow, seeing Mary Lattimore play next to the river at sunset with clouds of bats flying high overhead was something I won’t ever forget. Very worth the long walk across town.
Very fun, very satisfying rock with a retro edge. Molly’s voice sounds great live!
Woah. Again, a band I knew nothing about, but got a tip that I had to see them. Even before they went on, the room they were playing was overflowing with people. My friend and I had to perch on the outside, watching the phone of someone filming the concert inside. Eventually I got in by filling in the gaps left by people trickling out, leaving myself totally squished between fellow fest-goers. What I witnessed was perhaps the best thing I saw all week. A hardcore band from Japan that flailed around onstage with reckless abandon (the guitarist stage dove at least four times). Lots of middle fingers, lots of “fuck-you’s” a lot of breakneck pace cuts that left the audience both stunned and invigorated. So happy I was able to edge my way in.
Real late night show, cool garage pop from some L.A. youngins.
Woah. These guys rip. As described by a friend, “Devo, but normal kids”. Great camaraderie, worked well together, really new how to craft a banger.
Knife-sharp lo-fi rock tunes. Is that a fallacy? Either way, they sounded real good.
Retro-touched garage bops. I say bop, a word I usually avoid, because they are very 50s-inspired tunes.
Hoo-wee, what a super-solid band. Pretty standard rock, but man this band is together and they sound GREAT. See them if you get a chance!
Took forever to sound check, but the few songs I saw were real sick. Loopy psych rock. Perhaps the first time I saw someone bow guitar in real life.
Everyone’s fav Australian long-haired pop rock boys are back with a new tune, following the announcement of multiple festival headline gigs. No album announcement yet, but I mean c’mon. It’s obviously on the way.
The song prominently features some hand percussion (appropriately taking centerstage on the cover of the single) and definitely sounds Kevin Parker-ified, with insane mix tricks and the adjectives squishy and glittery melding together into one cohesive piece. It sounds a lot more lighthearted than their similar-sounding material on Currents, and also hints that Parker had been trawling some hidden groove playlists on YouTube while writing. Not mad about this – deep hidden grooves are hopefully what this blog is going to exclusively feature soon enough. Slow disco vibes are real, with a waterbed bassline and chiming piano leads. Wish the track did more at the end, with maybe a more definitive psyched-out guitar solo or blurry drum fill that the band has been known for, but they’re content with heavily-filtered ambiance floating in and out of frame.
Overall I’d say it’s a step in the right direction in getting myself and the rest of the music world excited about not only whatever album the band has coming, but the live shows as well. Everyone likes to see live hand percussion. The piano is gonna sound great live on a sunset-lit afternoon. I wasn’t a huge fan of Currents overall, but I listened to it a heck ton. Feeling this will likely be a similar situation.
Nothing new here, just a quick appreciation post for the illustrious Jessy Lanza and her masterful use of a minimal groove. There are not that many parts that make up this song: a shaker, a spare drum beat with a snap, a white noise-like synth trawling the underside, dustings of feathery synth, and a synth that sound like it was sampled from time barrels in Donkey Kong Country 2. Eventually more sounds come into play, but the anticipation built up from these small pieces is immense. I always find myself gesturing along with the song when the beat comes back in. Plus, I love the way that Lanza layers her misty vocals. It’s like they’re not even there, but they’re a commanding presence nonetheless. I’ll likely be posting more Jessy soon – I’m on a big kick right now.
Went on a little string of online digging (not very deep, but mining for soul & groove is a relatively new thing for me), and found this cut that has been stuck in my head for a full week now. Brazilian groove at its finest. It’s incredibly catchy and the type of tune that instantly mellows you out. I imagine gliding on roller skates by the beach, the sun shining off the water, a palm tree gently dancing in the breeze.